Ian Coad

Sold

Sold

$23,500

Bump, now $25,000

Personal camera body. Very well taken care of. Selling for $30k Hours 792High speed, 4:3, ARRIRAWBattery Mount:Gold and V Mount includedCase:Innerspace Custom CaseMedia:Codex 5 x 512GB Capture Drives + Codex Dock and CablesCables:1′ 2″ Short & 2′ 1″ Medium Eyepiece cables,5 pin to 3 pin audio cable,4′ and 6’6″ Battery CableAKS: Arri Shoulder pad, Arri BPA-2 baseplate adapter, Tilta Baseplate, Wooden Camera Dovetail IMG_9939.heic IMG_9952.heic

For Sale: Atlas Anamorphics A Set: 40mm T2, 65mm T2, 100mm T2 Includes wheeled SKB case, front and rear caps. Excellent condition, like new, used for only personal use - never kept at a rental house or rented out through Sharegrid. Serviced by Duclos. New w/ tax (CA) from Atlas: $29,561.72 Selling for: $26,000 Located in LA.

We won a film competition that awarded us a film credit of $2000 for any product (film stock) from Fujifilm. Which means its new film, not old sketchy film. You can come with us if you like, we can place the order for you, or if possible hand the credit over to you - whatever is convenient. $2000 credit at Fujifilm for $1500, OBO Thanks.

Deluxe Gamma & Density Chart - condition, basically new. same one they sell at film tools: http://www.filmtools.com/gamma-and-density-film-chart.html but for $150 - OBO. I'm in Silverlake.

just a heads up, these sold today thanks to craig and his wonderful list.

I can run it into the post office on saturday morning and check if you like - i'll report back.

84 issues of American Cinematographer for $45. All were bought as backissue stock several years ago. Most have not been opened, much less read. I live in Silverlake, let me know if you are interested. 09/09 - Where the Wild Things Are (Acord) 01/08 - There Will Be Blood (Elswit) 02/08 - I Am Legend 03/08 - Mad Men 04/08 - 21 05/08 - Iron Man (Libatique) 06/08 - Indiana Jones 4 (Kaminski) 07/08 - The Dark Knight (Pfister) - 2 copies 08/08 - The X-Files: I Want to Believe 09/08 - The Duchess 10/08 - Body of Lies 01/04 - The Last Samurai (Toll) 02/04 - 24 05/04 - Van Helsing (Daviau) 07/04 - The Terminal (Kaminski) 08/04 - 85th Anniversary Issue 09/04 - Vanity Fair 10/04 - Sky Captain and The World of Tomorrow 11/04 - Alexander 12/04 - Lemony Snicket (Lubezki) 01/03 - Gangs of New York (Ballhaus) 02/03 - Chicago (Beebe) 03/03 - Daredevil 04/03 - X2 05/03 - Conrad Hall Memorial Issue (Hall) 06/03 - The Matrix Reloaded (Pope) 07/03 - The Hulk 08/03 - Terminator 3 09/03 - Hero (Doyle) 10/03 - Kill Bill (Richardson) 11/03 - Angels In America 02/02 - We Were Soldiers 04/02 - Hotel 05/02 - Insomnia 06/02 - Spider Man 09/02 - Ghost Ship 10/02 - Frida 12/02 - Lord of The Rings: The Two Towers (Lesnie) 01/01 - Cast Away 03/01 - Blow 04/01 - Captain Corelli’s Mandolin 06/01 - Moulin Rouge 07/01 - A.I. (Kaminski) 08/01 - Planet of The Apes 09/01 - Band of Brothers 01/00 - Any Given Sunday 02/00 - Titus, The Beach (Khondji) 03/00 - Mission to Mars 06/00 - Gone In 60 Seconds 08/00 - Hollow Man 09/00 - The Cell 10/00 - 0 Brother, Where Aut Thou? (Deakins) 11/00 - The Grinch, The Yards (Savides) 12/00 - Unbreakable 01/99 - Star Trek: Insurrection 04/99 - The Matrix (Pope) - This issue is unopened and wrapped in plastic 6/99 - Summer of Sam 07/99 - Wild Wild West - 2 copies 12/99 - Sleepy Hollow (Lubezki) 01/98 - Amistad (Kaminski) 06/98 - Bullworth 07/98 - Armageddon 09/98 - Without Limits (Hall) 11/98 - Velvet Goldmine 12/98 - Playing By Heart (Zsigmond) 01/96 - Twelve Monkeys 02/96 - White Squall 07/96 - Independence Day 10/96 - Sleepers 02/95 - The Secret of Roan Inish 03/95 - Legends of the Fall (Toll) 07/95 - Batman Forever 01/94 - The Pelican Brief 04/94 - The Hudsucker Proxy (Deakins) 07/94 - The Shadow 10/94 - Forrest Gump 12/94 - Mary Shelley’s Frankenstein 01/93 - Chaplin 05/93 - A Far Off Place 10/93 - The Age of Innocence 11/93 - Fearless (Daviau) 12/93 - The Nightmare Before Christmas

thanks guys. great advice. problem is that i always gravitated towards darker material, so i don't have much in the way of commerical looking footage. that's not to say that i'm not interested in doing it, its just that i don't have much of it. i think what i'm also seeing from your responses is that the reel needs to come out of the gate faster and showcase more variety. i think i'll just remove the segmental structure and have it be a collage of images. thanks. -I

i'll take those two cents. thanks for taking the time to comment. varied meaning, you think i need to include more work - from more projects? i have some, i just felt it stood out quite a bit and weakened the average of the material - maybe i need to rethink that. as for the music i spent three years in film schools with song choices popping up, being considered and then fading away - nothing seemed to be both appropriate and energetically enduring. i know i've seen a million reels with slow paced instrumental tracks - which to me personally has become really typical and boring. i've had a lot of electronic options, but they always felt a little soulless and meaningless. i'd like to hear more about why you think the current track doesn't work - i'm certainly not looking to undermine my own images. thanks again. - ian.

17 views, no comments? too fast, too slow, is incompatible with what people generally look for in a reel because of x, y, z?

would really like to hear people's thoughts on this one... http://vimeo.com/15619184