Tim Christokat
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Posts
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About Tim Christokat
- Birthday 07/18/1987
Profile Information
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Occupation
Student
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Location
Cape Town
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Specialties
Film, Photography, Cinematography
Contact Methods
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Website URL
http://
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Thanks for all the tips and insides on your on-set DSLRS. Being very much into Photography as a hobby, I will wait for the Nikon D400 to come out mid 2009, so I can get the D300 for cheaper! happy shooting!
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What Nikon do you have? I am also a Nikon dude, have been working with film SLRS up to now and want to make the step to DSLR,so will stick with Nikon!
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I knew all that, thanks for all the tips, but my real question, and what i really meant to ask was which camera is the best to have on set?
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hi all, What's a good camera to have on set, to check framing, exposure, lighting set-ups etc? I was looking a the Nikon D300 or the new Canon EOS D50 (possibly even the Nikon D90)...! Ant tips!?
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hi all, What's a good camera to have on set, to check framing, exposure, lighting set-ups etc? I was looking a the Nikon D300 or the new Canon EOS D50 (possibly even the Nikon D90)...! Ant tips!?
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TV/Projector Lighting effect
Tim Christokat replied to Tim Christokat's topic in Lighting for Film & Video
Thank you for all the helpful replies!! But is there an alternative to using dimers? Variacs are too expensive, as there is no budget left!!! -
Hi, I'm shooting on a Panasonic HDV cam this sunday. And I'm trying to fake my protagonist watching TV, I have him framed him in a CU and would like to give the impression of the TV light shining on his face. The lighting set up is very low key and this would serve as a fill light and effect when he switches the TV on as I slowly track in revealing his emotions. I have got 2 2K Moles 2 Redheads and 2 Blondes to work with! does anyone have experience in this form of effect and could give me some tips!! Thanks
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Hi, I'm shooting on a Panasonic HDV cam this sunday. And I'm trying to fake my protagonist watching TV, I have him framed him in a CU and would like to give the impression of the TV light shining on his face. The lighting set up is very low key and this would serve as a fill light and effect when he switches the TV on as I slowly track in revealing his emotions. I have got 2 2K Moles 2 Redheads and 2 Blondes to work with! does anyone have experience in this form of effect and could give me some tips!! Thanks
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I'm a film student in South Africa working with the panasonic AG-HMC 154 ER this year! Just a quick question: does anyone know where i can find the manual for this camera on the internet to download. Would be really helpful!!!!
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I'm a film student, and mostly work with 16mm film cameras and DVX cameras. I'm looking to buy a HD camcorder to play around with off campus!! Im currently considering either the Sony HDR-SR11 or the Canon Vixia HV20. Does anyone have experience with these cameras, and could give me some buying tips? ....or should i be looking at a different camera all together?
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I'm shooting my first Film in 3 weeks. The film takes place in a medical lab/classroom and focuses on the dialogue between Medical Students and a cadaver thats being examined. I am shooting at night and inside, with an Arriflex 16m. As Film student I will have to make due with 3 lights: two 2K tungsten Redheads and one 3K tungsten Blonde, i can chose between Tungsten and Daylight Kodak Film stock. I'm going for the CSI Miami ` look; the obvious blues seen in these scenes. As I'm shooting inside I think I should take the Tungsten film stock! But I am still confused to what kind of light that will produce? <_< Should I shoot on the Tungsten stock and put CTB on my background lights?
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Newbie
Tim Christokat replied to Mukti Krishan's topic in Students, New Filmmakers, Film Schools and Programs
I would recommend the book.........Cinematography: Theory and Practice (Brown)