Olivier Martinez

ok...I ve got it :-). Thx anyway

Hy all, can anyone recommend an agent in Europe? I`m actually looking for one. My working experiences include commercials, music videos, feature films. Thanks for every good advice. Olivier

Thx guys!!!

Hi, anyone knows the sensitivity of the cam while shooting raw? THX

Hy all, has someone any good idea regarding a car commercial lighting day/outdoor, in a supermarket`s parking lot? I was thinking of placing some 20x20 white silk above the car, and maybe one or two additionals 20x20 frames of white Griffolyn to the sides. The car won`t be moved, so I will probably have the chance to put some 12K`s through some WD-frames to enhance certain highlights. Thanx for any good advice! Best. Olivier

Thank you, Brian!

Hi all, how does the focal length change when shooting 1080 in comparison to 5k, by taking a 25mm for example? thank you!!

Hello all, I`d like to shoot LOG C 4444 on SD Cards at max framerate in the ALEXA. Which is the highest framerate possible and which camera/software version do I need? Thank you for every good advice! Best. Olivier

Thank you, Mr Mullen! That was helpful to me.

Hi Phil, as far as I understood,, the 3D Technician needs all the lens and sensor Parameters to reproduce the same field of view in Computer. On top of that we have to shoot HDR shots with a mirrored silver ball. If it`s not a matter of the Crop Factor, what can I do to achieve everything a DP should look for in such a Situation (prodviding all data for CGI). As I already wrote, I`m pretty new to VFX Shooting. Any additional advise would be very helpful. Thank you.

Hi all. I have to shoot my first Real2VFX Spot. Varying 3D Models will be added to real shots. The 3D Technician asked me for the Crop Factor of the lenses we will be using while Shooting 2K and framing for HD. Does someone know how to calculate the Factor? I`m open for each additional advise! Thank you! Olivier

Thank you Daniel.

Thanks again! :-)

Thank you Mr Mullen!

Just one more question: is it possible to shoot log c/ Matrix off and to use the Rec 709 as a refernce source on a controll Monitor for the director (just to avoid the flat look on set)? Thank you!