Ryan Glover

Yep, I'm here in Toronto and Frame Discreet did the transfer.

Here's a look at the whole 3.56:1 image;

s16 is not necessary for anamorphic, that's true. And the lenses are for 35mm so the edges of the shot are fine. But it does give me a chance to reframe in post, which is helpful because the viewfinder isn't great. But I can easily shoot 16x9 spherical and scope with a super 16mm camera so the versatility is appealing.

Thanks! 16x9 x 2 is 3.56:1. What I did here was squeeze down to 2048x576 (3.56:1) then crop the sides to get 1536x576 which is a 2.67:1 image, an aspect I really like. Thanks Chris! I bought the camera with the s16mm gate already installed, same as the PL mount. I guess it all depends on how important the wider aspect ratio is to you. Some shots are for sure, I think most of the neg looked pretty okay though. Maybe my flat grading makes it look under? I was giving all my ratings an extra 2/3rds, maybe next time I'll give them a full stop more. Thanks to all who gave it a watch!

Sorry, messed up the link:

Hi folks! Got my first two test rolls through my new super 16mm K-3, thought I'd share: http://http://vimeo.com/23733714 Transferred to 2K Cineform RAW. Transcoded to Apple ProRes 4444 for cutting/grading - was going for a soft retro look this time. Camera: Krasnogorsk-3, s16mm, PL mount Lenses: 35mm, 50mm Lomo 2x anamorphic Film: Expired Fuji Eterna 250D and Kodak V2 200T Processing: Niagara Custom Lab Transfer: Frame Discreet Thanks for taking a look!

We're in post on our feature that we shot on a hacked Panasonic GH1 with Lomo 2x anamorphics. A 2.4:1 final image will mean cropping and squeezing to 1296x540. It's definitely not a crisp, fullHD image, but that's fine by us and we got the look we were after: HILLS GREEN teaser

Thanks a lot! Thanks! That's great to hear. Thank you! It's about the tension that builds between two friends while on a road trip away from the city at the end of a trying summer.

Just 3-way colour correct in FCP.

Thanks very much Ram. Natural yet cinematic is exaclty what we're going for. We don't want people to notice the colour grading really. And the anamorphic lomos add lots of magic for sure. Our workflow has been; Transcode to ProRes in FCP Remove pulldown in JES Deinterlacer Squish video vertically by 2x cut in a 1440x1080 timeline (letterboxed, does not need rendering) export 1440x540 files (sticking with the 2.67:1 raito for now) Thanks again!

Hello everyone. I would love to get some feedback on the first teaser trailer for our debut feature film; http://vimeo.com/18766884 Any comments/thoughts would be helpful as we work on the edit and get ready to cut the 2.5 minute trailer. Thanks in advance.