Jump to content

Mark Dunn

Basic Member
  • Posts

    3493
  • Joined

  • Last visited

Profile Information

  • Occupation
    Other
  • Location
    London
  • My Gear
    Steenbeck ST1600

Contact Methods

  • Website URL
    https://londonsteenbeck.eu5.org/

Recent Profile Visitors

44466 profile views
  1. It's hard to tell as it's hand-held but the camera seems to have quite a bit of weave, because most of the perf movement is lateral. It's quite steady up-down. I believe that the point of the overscan is so that it can be stabilised later with reference to the perf.
  2. Presumably you have something in your contracts about disposal. Of course neg used to stay at labs for a while, but the scan is the equivalent of release printing now as far as you're concerned. So you should either be charging for storage or- out it goes. (I have 20 years of client still negs, and near 30 of my own scanned, neg and slide, but have I actually thrown any away? Of course not. We don't. Someone will do it for us, later.
  3. Something which happened recently pointed up to me that the current generation of film-makers who only occasionally use film just don't regard the OCN as sacred in the same way we do. I was hired for a 16mm. music video shoot with the Steenbeck. The performance had already been shot and scanned, so I was filmed actually running the neg on the Steenbeck. It was S16 and my machine is R16, so some scratching was guaranteed. Then there was the scene of my actually cutting and splicing the neg on a CIR. I asked the directors if they minded where I cut it- could have been at the slat. They didn't mind. As far as they were concerned the neg had done its job. The scan was holy writ. Things move on. I even had to grit my teeth when I cut up some old neg left by a client into loading rolls. He didn't need it anymore either.
  4. Adding on the fact that an SR1 is getting on for 50 years old (could be 1975) I get the feeling it's not a keeper.
  5. Well not running properly would be a deal-breaker for me if sold as a runner, unless it was very cheap. After all the board could be fried.
  6. Hope this isn't bad news- Kodak taking its eye off the ball.
  7. That's a bit tiresome. You'll have to get really expert at hearing when the film ends. Or just get a feeling for your shot length. A quarter of the cart is 50sec at 18, so not very helpful. How good is your exterior footage counter? The one on my old camera is marked off every 10 feet and the divisions are about 1/4" apart, so you can gauge the length remaining to a couple of feet. A foot is 4 seconds at 18. The sound should change quite a bit when the claw is no longer pulling on the perfs, but running fresh film just to listen to it is a bit expensive these days. Try listening on a projector if you have one. You can try to stop the drive dog rotating and listen to the change in sound as well.
  8. Does the indicator bar look any different, or behave differently, when the film ends? Can't think what it might do- a change in opacity, or movement, or something. There was always some way of indicating when the film ran out. I could always tell by the sound, but that would be something you have to get used to. There was always some visual way of indicating when the film ran out IME. But then I only ever used three or four cameras. I think a camera that actually stopped when the film ran out would have been very prone to stoppages. It would have had to detect the load on the drive clutch, and with a Super-8 cart that's quite variable.
  9. There should be a run flag in the viewfinder. One of my cameras had a little moving pointer, another, a green LED which stopped flashing when the film ran out. If there's some symbol or marker in there that's not doing anything, perhaps that's your problem. You can test it with no cartridge- it should be moving/flashing or whatever it's supposed to. It shouldn't cause any damage- there's a friction clutch to disconnect the mechanism from the drive dog when the cartridge spindle stops. Anyway you get an idea for how long a cartridge lasts- so many 5- or 10- second shots in a 200-second cartridge (at 18) or 150 at 24. Edit: I've just read the manual -this one? https://www.super8camera.com/manuals/leicina-super-rt1-manual.pdf it says the transport stops when the film runs out. I'm not sure if that means that the motor stops dead- that would be unusual. It doesn't mention a run indicator. But we've already had some imprecise language with the shutter angle, haven't we?
  10. Here's a spec for a 1000ft/minute machine, looks like 6kW for the drive, 6kW for the pump and another 8kW for the dryer. So you're not plugging it into your house supply. https://www.yumpu.com/en/document/view/38481322/specifications-for-negative-film-processor
  11. Well "<" does indeed mean "less than" in mathematics, but 180 was about standard for non-XL S8, IIRC, for a nominal exposure time of 1/36sec at 18fps. I can only think it's a casual use of the symbol in the manual because I can't imagine a German manufacturer being so vague as to give an approximate shutter angle for something that would have been made to very precise measurements.
  12. Just tape the black bag down inside the can. Label the can so they know it's not 35mm😉
×
×
  • Create New...