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Mark Dunn

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Mark Dunn last won the day on December 29 2018

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  1. No mystery, it's German for adhesive tape. Maybe the locking mechanism just needs a clean so that it fits tighter. Something like brake cleaner or alcohol. The spring might just be bunged up with dirt.
  2. I mean that it doesn't appear to have any glass in it. I wonder if it removed for restoration at the time- this http://www.therosewindow.com/pilot/Paris-N-Dame/table.htm says only some is original anyway.
  3. Before the spire and the west rose window, I see......
  4. Sorry to jump in but there's a good thread on Alberto's service here http://8mmforum.film-tech.com/cgi-bin/ubb/ultimatebb.cgi?ubb=get_topic;f=1;t=011844 Minimum price only €30 for up to 300m, so about 3c/foot.
  5. It's a bit inelegant, but a lot of S8 cameras have the bush on the end of the grip, so it's manageable. Otherwise it wouldn't be too difficult to make up a battery holder with 6 AAs and solder on a lead and connector if you're handy with a soldering iron. Something like this https://www.ebay.co.uk/itm/1Pcs-6-AA-Battery-9V-Diy-Clip-Holder-Box-Case-With-Wire-Leads-Black-DE/232034783705?hash=item360659d1d9:g:fegAAOSw~gRVnNSt Looks like that 9V connector is a bit unusual, though.
  6. Not before next Wednesday, anyway.
  7. Your starting point is that the emulsion side of unexposed b/w stock is usually greyish or blue-grey. Colour stock is usually some variation on buff, dull yellow or brown.
  8. Tape and Sharpie or chinagraph? I did it for 1.66 once on a 16BL. With a removable GG it would be even easier.
  9. It's the first result on Google, so, yes. He put the information there.
  10. The FD's flange focal depth is shorter than the Arri's, so you can't do it without a correction lens. (42 vs. 52mm).
  11. Not on a set, surely? Not a lot of traffic in the City at night either.
  12. There was some location work in Hatton Garden dressed as NY, and a bit in W1 and EC2, but at night. Most of the NY scenes were on the Pinewood set.
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