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Joe Fugallo

Basic Member
  • Content Count

    21
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About Joe Fugallo

  • Rank

  • Birthday 05/11/1992

Profile Information

  • Occupation
    Cinematographer
  • Location
    New York/Florida
  • Specialties
    Grip,Gaffer, Camera Operator, Production assistant, cinematography,

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  1. Hello everyone! I'm a Local 600 member with experience as a Jib Operator/Technican. I'm looking to move over to the telescoping crane market and I was wondering if anyone could shed some light on the traditional path to becoming a telescoping crane technician. Below is a link to my resume, please feel free to reach out. Thank you in advance for any help or recommendations. IMDB Resume: http://www.imdb.com/name/nm5056805/resume?ref_=nm_ov_res&mode=desktop Best, Joe Fugallo
  2. Hello, and thank you for viewing our post. We have a custom built X8 Heavy Lift Drone and a Teradek Bolt Pro 2000 for sale, both of which are in pristine condition and have only been flown twice for testing purposes. Soon after purchasing our drone we decided to focus our efforts in the telescoping crane market and no longer have any use for the drone. The package has a DJI A2 Flight control system, custom retractable landing gear and a brushless 3-axis gimbal, all of which are controlled by two Futaba RC controllers. The drones fuselage is capable of hauling 35 lbs and the gimbal has a max pa
  3. Hello, and thank you for viewing our post. We have a custom built X8 Heavy Lift Drone and a Teradek Bolt Pro 2000 for sale, both of which are in pristine condition and have only been flown twice for testing purposes. Soon after purchasing our drone we decided to focus our efforts in the telescoping crane market and no longer have any use for the drone. The package has a DJI A2 Flight control system, custom retractable landing gear and a brushless 3-axis gimbal, all of which are controlled by two Futaba RC controllers. The drones fuselage is capable of hauling 35 lbs and the gimbal has a max pa
  4. Hello and thank you for viewing our post. We are selling the following products for a reasonable price. Please look through it and if anything peaks your interest feel free to reach out to discuss pricing. 1-Black Magic 4k Digital Cinema camera 1-BMDC AC Power Supply 2-500GB Crutial SSD's 1-x quick cage 1-x A-Box for bmdc 1 set-15mm Rods 1-15mm x Anton Bauer plate 1-x NATO handle O'connor O-Box WM Matte Box Top Flag 2-4x4" Filter Frames 2-4x5.65" Filter Frames 1-19mm LWS Rod Bracket O-Box WM Side Flag Bracket Set (2 Brackets) OConnor - Clamp Ring (150-80mm) OConnor - Clamp Ring (150-114mm
  5. We have a Jimmy Jib Model III in terrific condition, ready to work and priced to sell! Package includes: 3 wheel dolly with pneumatic tires Steering arm Heavy duty tripod Leveling head 1 fulcrum extension 1 head extension 2 rear extensions 4 forward extensions Weight bar 6ft pulley cable 9ft pulley cable 12ft pulley cable 15ft pulley cable 18ft pulley cable 12ft strut cable 15 ft strut cable 18ft strut cable Camera Platform Strut Post 12' extension cable 6' Extension cable Control Box Cable Zoom/joystick Controller Cable Battery box/control box Jumper
  6. Thank you Liam and Stuart. I greatly appreciate the help!
  7. Hello everyone, I am a 2nd AC based out of New York looking to join Local 600. I am a little confused as to how to start off and get myself into the IER. I also have a few other related questions of things I'm trying to better understand. If I'm not on the IER does the union help me get work as a member that's not on the IER? How much are the upfront dues to join as a 2nd AC? And what is the annual dues and what's the billing cycle like? Is there any way I could shadow a union shoot specifically in the camera department through 600? Is it difficult to meet the 400 hours/12
  8. You could use a tungsten light and put it on a flicker master and use color correction gels to get the look you want.
  9. Okay thank you very much Vincent! I had a feeling that was the case but I just wanted some supporting feedback
  10. Hello, I am shooting a dubstep music video and I plan on having a majority of my lights (Source fours) to be on flicker masters and dimmers and I am shooting on a RED one build 30 (not the MX sensor). I was wondering if anyone has any advice regarding rolling shutter with the Red camera's CMOS sensor. I don't know how fast I can flash the lights without getting rolling shutter artifacts in my image. Just wondering if there is anyone out there that could give any incite. Thank you for reading and any feedback or advice would be greatly appreciated! -Joe
  11. Hey I appreciate all the advice, and I'm not looking to get job protection through certifications or training, I would like to be able to do complex rigs such as large scale flyswatters on condors and stuff of that nature.
  12. Hahaha yeah I got the grip test on my first shoot, I learned the grip test trick and to never grab or pass a C-stand with your fingers under the long arm hahaha
  13. Thank you Toby and Robert, I appreciate the response and the advice I will definitely look into the local 80 workshops and interning as a grip or swing. I work on the grip and gaff team a lot on student 16 and 35mm features at my college currently but I will look into more larger scale shoots.
  14. What about work shops or training? aside from film school
  15. Hello, I am currently a film student at Full Sail University and I was wondering what certifications,training, books,or workshops would one take if they were looking to be a sufficiently skilled and knowledgeable grip on set. i.e. rig a flyswatter, condor rigging or operation or safety courses that would be good to have under your belt. Thanks for you're time and I sincerely appreciate any advice or response! -Joe
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