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Soodhakar Shukla

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  • Occupation
    Cinematographer
  1. in digital intermediate we can do many things like changing the background , colors ,and even delete some unwanted objects from the frame, I am about to shoot a feature film but face of my acctress is very rough and she has smile line,which is visible and lots of pimples on the face so can we remove them in post producton in DI (digital intermediate) or I have to go to computer graphics e.g; (CG) help me out
  2. in digital intermediate we can do many things like changing the background , colors ,and even delete some unwanted objects from the frame, I am about to shoot a feature film but face of my acctress is very rough and she has smile line,which is visible and lots of pimples on the face so can we remove them in post producton in DI (digital intermediate) or I have to go to computer graphics e.g; (CG) help me out
  3. 500T would be the right choice with little underexposed ,and mix your lighting with tungsten and Hmi and par (day light)
  4. is it true that to get good result do lighting according to stock and film speed eg. 200T,50D, 500T, 250D etc.

    I want to use 50D through out the film most of the story is exterior but in interior which are day , can i get the same result if i managed to do that kind of EVEN lighting through out the corners

    help me out

  5. Hi,andrew

    A question scampering in mind is that ,does exposure really matters diffrent type of projection houses i mean small and big one , if your film is being projected in a big cinema hall with carbon projector,I got very poor experience very dim and the same print when i previwed in small preview theater with athe same kind of carbon projector it was good,

    help me out

    should...

  6. hi I am student I want to know why many cinematographer take light reading or set their meter e.g. ISO 320 or 400 for 500 ISO lesser than the recomendation by kodak or fuji 100 for 160 T please help me out Read more: http://www.cinematography.com/index.php?showuser=51271#ixzz1FeA0Hrku
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