Stevie Abraham

massachusets http://vimeo.com/29570406

a new seen: http://vimeo.com/28598766 watch original on vimeo website not small pichure here. ;) this seen is better with bigger quality video :) still look like shitt on-line

hi, we are all most finnished with scary boy. i am the directer! :P i put some pichure online and always look like shitt. :o gritty bad look like a bad video. look better before put online. :blink: keep you updated! :P

i like that affect alot! :) i do not like the movie zombieland; is terrible; but i like these affects. they have this in speed racer, grate movie, but fake cgi.

http://vimeo.com/24303093

thanks :) more footej in trailor of hell http://vimeo.com/24303093 movie is from america B)

noone have any time to make this so we just do a bad computer affect. this seen look like schit: http://vimeo.com/24231561 movie is a gargbej anywayy every one do a terrible job and so their so lazy. grate script now terrible film. next time i get diffrent crew.

i am a new directer i am making a movie called scary boy project. i changed my mind about the last seen and now i want it to be a seen in hell. i need to find some movie's to look at that have a good modern look, seen of hell. i think constentine is one movie? i hear of nineth gate, dream may come, jacob ladder, and jansen goes to hell have you seen these movie's? which ones are the best hell? i want to send them to my directer of photography and composting artest so they can make a good modern, seen of hell. i sent this e mail: > i dicided to change the the last seen of the movie. now it is not mitch > goes in to the woods and want to find scary boy then has a vision of > energy knife and dies. i want a more artestic end so he has a vesion of > hell. i want a camera moveing in and a good wide space so it feels like > you are in there it is reel. camera go's past candels and fire you know > it's hell. a demon (scary boy) has flame in his hands, lafghing > > he sent me a e mail: Hi Stevie, glad to hear from you as always! I hope the movie is going great; I was so impressed with your visual ingenuity and can't wait to see the edit. I like the new ending and will free up my schedule to shoot it with you. But are you sure you want to do a wide angle push in on Scary Boy instead of a handheld telephoto POV shot like we've done for all the other premonitions (psychic visions)? Since the visions are all from Mitch's point of view, it would be strange switching to a very different aesthetic for just this one shot, particularly given that it will be the last shot in the film if I understand you correctly? It would also be easier to shoot telephoto. We could greenscreen everything and really blur out the background in post. If we choose to go with the wide angle dolly in to Scary Boy, I think we should strive toward a naturalistic look, despite the fantastical imagery. I imagine the light levels would be very low and the image very orange; everything would be lit from below from fire and lava. We could try lighting with tungsten lights on flicker boxes or actually using oil drums and flame bars off-camera. If we surround Scary Boy with candles, as you mention, we could motivate him a bit brighter than the background, but I have not seen candles in most depictions of hell. So we could just have fire around him, or set his hands on fire like he was summoning it; that would be cool. If we shoot wide open (f2-ish) that would allow us to light primarily with actual flame and just supplement that and then blur the background? Something to think about. I'd like to shoot with a wide lens to get a little depth of field, at least, and maybe shoot really low angle and at a higher frame rate to make everything feel "big" and imposing. That is if we go with the wide angle push in instead of the POV. Your call, of course. I'll email some guys I know who do set design for theater, see if we can get a backdrop airbrushed based on Renaissance art (I imagine you're recalling the Dante's inferno reference earlier in the film?) and then maybe put some stage rocks (polystyrene) in the foreground. I'd want the background to really fall off into darkness; we could eschew any fill whatsoever in favor of just fogging the place and then adding more contrast in post. Another option is to use a greenscreen in this situation and motion match in a more complex, animated representation of hell, however I worry about green spill if we are lighting so dark in the first place and I'm not sure if your compositing artist wants to deal with haze and motion matching all in one shot! Does this work? Let me know your ideas and I can start calling people to help make this happen. Best, -tr the looks i want to have: realistic; and amazing. hep!