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Kate Arizmendi

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About Kate Arizmendi

  • Rank
    New

Profile Information

  • Occupation
    Cinematographer
  • Location
    Los Angeles, CA

Contact Methods

  • Website URL
    http://www.katelinarizmendi.com
  1. Hello! I'm shooting a short film on B&W 35mm (this is a strict decision of the director and I- it's set in the 1960s are we feel that shooting film is crucial to this story). We have quite a few scenes in a 'beach house' set where the windows look out onto the ocean. We will need to digitally project an ocean outside the windows but my concerns are - how do we get the brightest image so that the outside is overexposed than the inside? I know I will have to shoot wider open so the projector overpowers the light sources inside. we are thinking of putting up a giant white muslin around the outside of the windows and doing something similar to what Claudio did on Oblivion. http://www.fdtimes.com/2013/03/29/claudio-miranda-asc-on-oblivion/ the only problem being that we can't afford 21 projectors. Perhaps only two or three. Does anyone have any better ideas for this? Is front projection the best way to go? Thank so much. Kate
  2. Here's my latest reel.. Moving to NY from LA next week. https://vimeo.com/96209450 35mm, 16mm, Alexa, Red, HD Thanks for checkin it out--
  3. Hey everyone. I was recently given 10,000 ft of 30 year old 35mm film dated back to 1982. The stocks are Kodak 5247 100T and Kodak 5293 200T. The person who gave them to me was given them by the AD from The Godfather, claiming these were short ends recanned from 1,000 ft rolls. Who knows if this is true- either way, they had been refrigerated and when we loaded them in the mags, they felt almost like new. My friend Geoff Taylor and I shot a roll of each to test. Kodak 5293 - https://vimeo.com/53663199 Kodak 5247 - https://vimeo.com/53709812 I just dropped off 6,000 ft of the 100T to Fotokem from a music video Geoff and I shot last weekend on it. I'll post again when we get it back! KEEPIN FILM ALIVE, Kate Arizmendi
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