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Ed David

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Posts posted by Ed David

  1. \Selling my Sony F65 camera with a ton of extras. I’m based in NYC.

    Selling for $22,000.
    This wonderful beast of a camera has a mechanical shutter, 16-bit raw, up to 120 FPS, beautiful skin tones and wonderful sharpness. Such an amazing camera. I am selling it to finance my wife’s feature film.
    Loading footage from it is easy, after Sony finally released a USB 3.0 card reader for it.
    It has 2050 hours on it, most have been used in a studio setting. It has been otto nemenz-ized, which gives it a bunch of power options and a nice flexible viewfinder space.
    It comes with the:
    sr-d1 USB 3.0 card reader
    sr-pc4 ethernet card reader
    1 tb s25 MEDIA card
    2 x 256gb s50 media card
    2 x 512gb s50 media card
    sony*HDVF-C30WR viewfinder.
    control panel with cable
    anton bauer mount
    Frezzi Universal Juicebox Power Supply
    Please call or text me at 917-449-0739 or email me at ed.david@gmail.com for more info.

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  2. Hi all,


    I'm selling my 2nd trusty Red One MX - serial 10398- nickname: Zangief - Located in Brooklyn, NY.


    hours: 1493


    Cosmetic condition is not great but the sensor is in excellent condition. No dead pixels. There is a ding on the back readout screen. Fully functioning - with latest firmware it works great. No errors with it


    Comes with

    19mm top rod system

    ssd slot

    PL mount

    7' pro lcd monitor

    nikon mount

    64gb red media

    card reader

    p tap to red power cable

    2 x xlr cables to mini

    mini bnc to bnc


    Thanks - please let me know if you have any questions.


    Ed David

    917-449-0739

    ed.david(at)gmail.com

  3. Selling Red One MX - serial 10344- located in NYC - 917 hrs - $3200

     

    Cosmetic condition is not perfect but the sensor is in excellent condition. Mark on back lcd. Sensor has no dust on it - no dead pixels.

     

    Comes with

    Element Technical top cheeseplate and handle

     

    ssd slot and PL mount

     

    I have more accessories such as LCD monitor - etc. Let me know we can work out a package price.

     

    Here's a link to photos:

    https://www.dropbox.com/sh/zakir8m4he7sarw/AAC6e5cOYtAxYJO_0me1kvnca?dl=0

     

    please email me at ed.david(at)gmail.com or call at 917-449-0739

     

    thanks!
    Ed

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  4. thank you guys - your knowledge is incredibly useful.

     

    The last time I used party gels was back in like 2008 with the hxv200 and I was an idiot for stopping at that because that camera could not handle color at all.

     

    I'm going to start doing some testing asap now that I have the sony f35 which can handle color much much much much better.

  5. I just watched "Beast of No Nations" which I highly recommend - it's on netflix.

     

    And the deep reds and blues and orange.

    And then there is Spring Breakers that has the most amazing deep color.

     

    What do you guys use as tools to create these deep colors - is it a certain Lee gel over a tungsten light - is it special colored kino bulbs.

     

    I know it depends on the scene - but does anyone have a fall-back type of light they like to use for making these really deep colors?

     

     

  6. thanks guys for all this help - that dedolight seems super useful -

    the shot is in the shot - and the vault has already been built so probably using the crappy puck light led things you can get at the home depot oh well next time.

     

    but that dedolight thingy sounds great

  7. Hi all

     

    I am doing a scene in a minituarized stop motion bank vault - -and I want to put a light in it shooting straight down onto a bag of money- act as like a xenon spotlight - but with a smaller size - almost like LED size - it the literibbon perhaps the punchiest, small led strip that could work?

     

    let me know what you think - I can't think of many other options that would be small and spotty. we see the whole vault in the shot

  8. Shooting multicam coverage helps for continunity - and does make you go faster -the lighting can't always be tweeked as well but I do it all the time for speed.

     

    A lot of shoots can go this way.

    Single camera setups can be better for performance because one actor can relax - but if you are knocking out a OTS and a CU clean yes you can easily go for it with 2 cameras as long as you can get them in there.

     

    Now with digital more and more shoots have multiple cameras to cover dialogue scenes.

  9. Amazing thread guys - going from the blacks from film vs digital and the history of it all, and mixing in some discussions on what it means to be an artist, or post-modernist theory on the self - and it's pretty epic, and it reeled itself back in.

     

    This is my new favorite forum.

    Thank you all.

     

    That's why I gave $50. Keep this site alive - amazing how you guys all handle yourselves so well.

  10. I use both a lot - joker 1600 is much better for travel - smaller. But overall Joker build is not the same as Arri - Arri seems to make all their lighting really strong and better for renting.

     

    But you can't beat a joker 800 for jo leko or just traveling small with it - a lot easier to handle and to fly with if you need to.

     

    and the m18 can sometimes be finicky - no HMI is perfect - all about the ballast.

     

    but really - yes if you can - try to test both out at the same time - I would be curious about the difference in quality of light.

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