Vitaly Kolesnik
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Everything posted by Vitaly Kolesnik
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The special price is 1300 dollars for 15-1 and 1500 for 7-1
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sold
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Will consider offers
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UP 600$
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Looking for parts for bolex pro
Vitaly Kolesnik replied to Vitaly Kolesnik's topic in Cine Marketplace
up -
UP!
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UP!
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90 year of made
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Some good 75 sine lens in good condition . 650 us or 550 euro
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People! Go spare parts for this rare camera. Need a counter that is in the camera. Battery compartment for the control unit (bottom part)
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25-250, aperture 3.7. I shot them on tape, I do not have scans. But with it all okay)
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Up!
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Guys, I'm looking for such a system on a bolex. Have anyone?
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I'm very interested in covers for cassettes and camera. Can they be bought separately? I'm very interested in covers for cassettes and camera. Can they be bought separately?
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Ready for a price consideration.
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The are 25X-Lenses. Minimum focusing distance of 1.5 m, but there opf15 have macro mode.
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Good Soviet Lenses. OPF15 - rare enough, but not perfect. $ 2100 OPF-7-1 is good, $ 2300 if just two - the discount. I can send.
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Michael, If you looking for some parts or other for Konvas I can help you, with great pleasure. ;)
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Yeah you're right. Outside Russia it's popular to use it for crash filming. It's like the als-47, and it's made on a military factory. :)
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I'll tell about our old television for static. The USSR era old television. Big tv-centers all worked on 35mm. Even though we had attempts on switching to 16mm but it never got a thing for some reason. We really loved the Eclair cameras. There were a lot of Npcr's and Alc's imported in the USSR. We also worked with arriflex SR and some other cameras. When our procurement Department was making an order they were always ordering the maximum complication.
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I have a friend engineer-developer. He has already fixed my ACL camera Motor. Actually with these drawings it is possible to to solve this task, I think, I soon will be working on this as well.
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Michael, you are a true artist! Thank you so much! I've already lost all hope on finding all this, but thanks to you I regained faith now. So far I have launched the servos on the camera. They work, and even the rubber caps are intact. :) This is not just a camera, it's a masterpiece. I also think this is the quintessence of camera-manufacturing for documentary film.
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Thank you so much. This is already something. Still, I need to know the technical details. How and where to lubricate. Ideally, even the electronics circuitry. it is rather archaic.
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I am looking for all possible parts for the camera!