Nojus Drasutis

Hi,

I was curious, what is max that I can push from (I'm not afraid of grain, but I need decent image, and OK dynamic range):

1. Fresh FUJI 8547 ETERNA VIVID 500T

2. Old FUJI 8570 500T (Maybe someone has Idea when they discontinued 8570, I haven't found any info on that.)

3. Kodak V2 100T 5212 from 2012

4. fresh Kodak V3 5213 200T

thank you

Maybe in future this would be really interesting. For now, I need to create a contact print for 35mm 4perf negatives (~2000m/~6560ft)

Thank you all!

Hi,

I was told by a colleague that there are no labs in Europe doing contact prints?

Is that true?

Thanks

Dom, Thank you very much!

Hi,

Soon we are shooting a short film on V2 5205 250D shortends from various movies shot in our country. I tested the stock, exposed every reel(10 reels) on 125 ASA and did 0, +1,+2,+3;-1,-2,-3; We developed it in C41 (removed remjet first in Alkaline) with no pull or push, just regular ( 3:15min; 3:30min,4min)

Film emulsion is really really thin and there are really not much details in the frames. Should I try pushing it one stop in developing, exposing it at ASA 50, ASA25 and so on?

Also, I'm going to send it to the proper lab for real development when shooting is finished but now I'm thinking what to do.

I wish we could develop tests in the real lab, but there's no lab in our country, so that makes the testing really difficult.

Thanks for any replies.

Hi,

I built two SLA 2x12v 7ah battery packs with 10A fuse and voltimeter, as suggested in this forum, thanks:)

Now I have a question- What's the voltage range for Moviecam SL? How high or how low the voltage can be so that camera could run from it? And how not to ruin it? How long will SL hold on one fully charged pack? Or should I use voltage regulator?

Thanks!

Hi. Im looking for Vision 2 Shortends. I have some, but Its not enough for 30min shorty.

250D and 500T !

Thanks!

Thanks guys!

 

I like Bergman and Tartovsky and Kurosawa. Slow is not a problem. But time is weight in film and only very strong shots - both aesthetically and in terms of meaning - can survive for the durations that you attempted. Long shots don't create poetic cinema by themselves; that shot duration is something that you can attempt when everything else is right - I'd suggest that it is something you gradually have to work up to.

I agree. Thanks, it's a pleasure for me that you took your time watching and expressing your thoughts, I really appreciate that!

Thanks again,

Nojus

Thank You very much for your reply:)

I agree, the timing needed to be better, but, for my personal taste, as from post-soviet Lithuanian Poethic Cinema background, I like long and, you know, slooow shots that are without any active action or new information. I'm thinking now, that problem is in proportion, as You said - too much walking.

Thanks again

Hi,

I was curious - if it would be okay to shoot dialog scenes with Moviecam SL which is MOS camera?

Thanks

Hi,

I'm looking for Asahi Pentax Spotmeter V or simmilar.

Thanks

Hi, fellows!

Shot it but also helped to direct with my mum.

The Idea was pitched in two days, the film was shot in 7 hours, sculptures were made in 4 days, the whole thing was edited color corrected in two days. It was a good experience. Waiting for your opinions:)

p.s. first time working with raw, haven't figured out how to birng back those extreme highlights in the sky..

Thanks!

i'm guessing It's Hawk V-Lite 16mm anamorphics.

Hi, Scott,

For correct polarity, check sr 2 manual: http://www.doc-cba.be/cbadoc2/images/manuals/ARRI16SR2_manual.pdf

I'm writing from my phone so i cannot chek if it's really there but there should be a scheme for all the wires, plugs, connectors. In the manual you should also find info about fuse.

Happy easter, by the way!

Nojus

Hi,

I'm looking to buy some used arri 24V batteries (or oter suited for 24 V movie camera) and xlr to fischer 2 pin cable.

I live in Lithuania

Thanks

Yes, sorry, I missed this reply. Thanks! I think I'll try to arrange something. If not - digital is the answer.

Thank you all for your replies

Nojus

Yes, I know, but our film would be something more in Belà Tar style. Slow dolly shot through a house. I'll be gluing two- three 400' stocks if necessary:)

There's one here: http://www.visualproducts.com/storeProductDetail02.asp?productID=278&Cat=3&Cat2=38

But sadly not in my price range, I saw one sold in ebay for 150 usd... Missed it.

Would you sell battery pack seperately?

Anyway, I'm looking 800' and 1200' mags for sale:) thanks to all for the replies

N

I heard Kodak was making one few years ago. If not, I'll be gluing a lot :D

Hi guys,

I'm looking for 800' or 1200' mags for SR3. We're planning to shoot 20 min long master shot on S16.

I'm 17 and paying for this short from my own money, so cheaper is better:)

Thanks

P.S. I'm in Lithuania

In cyrilic alphabet C is S so the mount should be called OST, not OCT, it's a mistake that's everywhere in the internet:)

Yes, I know, I was just hoping, that maybe someone just has it used and want to sell it for less than 300 usd (for the better adapter I linked in the post).

Thanks anyway:)

Nojus

Hey,

I'm looking adapter for adapting my old Lomo ost 18 glass on my 35mm PL film camera.

Maybe someone has used one for sale?

I'm looking for this version, just hoping to find something cheaper:)

http://www.ebay.com/itm/oct-18-ost-18-oct18-lens-mount-Lomo-OKC-OKS-to-PL-mount-camera-ciecio7-adapter-/251405956273?hash=item3a88f674b1:g:mOgAAOxycmBSsIHr

Thanks