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Alejandro Arteaga

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  • Occupation
    Cinematographer
  • Location
    Madrid, Spain

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  1. Hello! I will be shooting a small commercial january 14th in Canary Islands, almost everything with available light and the production company just turned down the option of shooting it in film because the deadline and the shooting are very close and we won´t be able to process the film on time. The Director and I prefer the look of 16mm for this particular project so I was wondering if some of you have any thoughts or if you ever used this combo: Alexa mini S16 crop with 16mm lenses and a little help in the color correction for achieving the 16mm look. Also we are going to use the Inspire 2 Drone for some shots and I think the Super16mm crop on the Alexa could be a good idea for matching the two cameras differences in depth of field and angle of view. Does this make sense for you? Do you have any other ideas? Thank you very much
  2. I think I do have some distance for putting something between the light and the glass because the house is surrounded with a porch in every window so it wont be difficult to reach the optimal distance for the lightning and the iris I want. The water drops seems to be a great idea too, I will do something like that. Thanx very much
  3. Hello there everyone, Well i'm shooting my final short film at 3rd year in film school, the script takes place in a night interior house, my problem is that due to the shooting script in a few shots we see the window. We have to shoot in that hours (daylight) because the film school requires it. I asked one of my teachers and he told me that one easy solution could be to make kind of dark boxes in the windows for putting the lightning equipment and not allowing to pass the sunlight, then put Hampshire Frost filter in the windows for defocus the light and use little lights that seems to come from the street. It seems to be a good idea but do you have any others?, I have time until the shooting day and I want to explore all the posibilities. The shooting will be 10 hours and we have 8 Ronin shots, the camera is the BMCC 4K with one and only Samyang XEEN 20mm, I want an f/4.0 and my gaffer will be prelightning the other two rooms in wich the action happens. Thanx!! -Alex
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