Jump to content

Daphne Polski

Basic Member
  • Content Count

    13
  • Joined

  • Last visited

Community Reputation

0 Neutral

About Daphne Polski

  • Rank

Profile Information

  • Occupation
    Colorist
  • Location
    London
  1. With a live presentation on stage from FilmLight Colourist and Workflow Specialist, Andy Minuth, you can explore some of the next-generation tools in Baselight v5 for colour grading and spatial shaping, and discover why the colourist community has adopted them:
  2. Meet with French Digital Imaging Technician Karine Feuillard ADIT, who worked on the latest Luc Besson film ‘Anna’ as well as the TV series ‘The Marvelous Mrs Maisel’, and FilmLight Workflow Specialist Matthieu Straub:
  3. Coding of sensory information changes depending on the stimulation and the environment. Visual adaptation is a highly dynamic process, and we are continuously adapting to the current viewing context. It is continuously regulating our perception and visual experience. Understanding the process of adaptation will tell us not only about our visual system but also about the natural world, because adaptation is highly optimised for natural images. FilmLight Image Engineer Daniele Siragusano will try to put this topic into the context of content creation and colour grading for multi-delivery projects:
  4. With Martin Tlaskal, FilmLight. In this final segment, explore the new input versioning feature in Baselight. Input versioning – either via filenames or making use of the Open Clip XML format – means that a scene can be updated with new versions of shots, providing massive time savings in quick-turnaround VFX jobs where new versions are constantly arriving:
  5. With Martin Tlaskal, FilmLight. In this segment, find out more about the timeline improvements in Baselight. Baselight’s enhanced timeline features collapsing stacks and multiple tracks:
  6. With Martin Tlaskal, FilmLight. In this segment, find out more about the FilmLight API, the new programming interface to the Baselight colour grading platform and Daylight, FilmLight’s dailies management and transcoding system. The FilmLight API is designed to automate common but time-consuming tasks, such as VFX transcoding and retrieving/setting metadata.
  7. Colour on Stage: Eric Weidt Creating the unique look for ’Mindhunter’ In this video, Eric Weidt talks about his collaboration with director David Fincher – from defining the workflow to creating the look and feel of ‘Mindhunter’. Eric will break down scenes and run through colour grading details of the masterful crime thriller: https://vimeo.com/373412274
  8. The free 'Colour On Stage' seminar hosted by FilmLight will include two days of live presentations that look at the interaction between colourists, directors, DPs and DITs. To view the programme and register to a session: https://www.colouronstage.com
  9. In Part 1, FilmLight's Daniele Siragusano explained the theoretical foundation of Baselight's next-generation texture tools. In Part 2, Colourist Andy Minuth puts these tools to practical use. He covers all of the features based on FilmLight's advanced frequency separation techniques: Texture Equaliser, Texture Highlight and Texture Blend. Andy showcases real-world examples and explains why the colourist community has adopted them so quickly. To watch Part 2 with Andy Minuth: To watch Part 1 Daniele Siragusano :
  10. At Oxido in Mexico, Fernando Medellin grades commercials, features and television: he was in at the beginning of the color workflow for Oscar-nominated 'Roma', grading dailies for Alfonso Cuarón. In this exclusive live 'Meet The Colourist', Fernando talks about his collaborative creative work with the director and DoP on set. He also explains his grading approach on high-end commercials. Watch the video now: https://vimeo.com/343410975
  11. Andrea Chlebak is a senior colourist at Deluxe Entertainment Services (Encore Hollywood and EFilm), handling features, episodics and documentaries. Her recent credits include award-winning indie productions 'Mandy' and 'Prospect', Neill Blomkamp’s 'Elysium' and 'Chappie'. In this video, Andrea talks about how she works with directors and cinematographers to enhance the narrative through colour. Watch the video here: https://vimeo.com/340923423
  12. Save the date... NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over successful careers – all live on Baselight. The colourist lineup includes… Doug Delaney from Technicolor, who recently graded Captain Marvel, Andrea Chlebak and Laura Jans Fazio of Deluxe, and Oxido’s Fernando Medellin, who will explain his grading approach on high-end beauty commercials and his work on the upcoming HDR Netflix show Monarca. They'll be joined by FilmLight colour experts Daniele Siragusano and Andy Minuth. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges of modern colour pipelines, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5. Full details will be available soon. Pre-register now for early access to booking – just fill out the form to the right: https://www.filmlight.ltd.uk/news/events/20190408_nab.php
  13. 11-12pm: Grading for multi-delivery projects How to separate ‘colour appearance’ from ‘creative look management’ in viewing pipelines, in order to establish a robust colour grading workflow. 2-3pm: Wide gamut displays & Base Grade Learn about the characteristics of wide gamut displays, along with the new 5.0 colour grading operator - Base Grade. Register here: http://ltd.us4.list-manage.com/track/click?u=b9dcf657b1090d64512ab0677&id=700496cffe&e=8fff7cfd9f
  14. Post Control and FilmLight invite you to a new workshop on look development and colour space management with Prelight. This workshop will start at 6pm, and will cover: Presentation and Q&A on colour space management with FilmLight's Thomas Eberschveiler. Demonstration of Prelight, plus live exchange of looks/BLG grades between Prelight and Baselight, with Pentti Keskimäki, Colourist F.S.C. at Post Control. Pentti will also show his favourite tools in the colour grading system - including some of the new features the upcoming Baselight 5.0 release. Entry to this event is free but you must register. For more information, and to register, visit: https://www.eventbrite.com/e/look-d...nesday-29-march-2017-registration-32438879562
×
×
  • Create New...