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simon olsen

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    Los Angeles, Stavanger
  1. Thank you. It does help a lot. A follow up; you are also the head of the department? The cinematographer would also be in charge of drafting a list of required equipments and a camera/lighting budget, etc. for a shoot. Would you draft that list together with your gaffer and ACs? or who exactly would the producer expect that from?
  2. Fellow cinematographers, when you sit down with your director, how exactly do you plan out how many setups you need per day? I hear some cinematographers can do as many as 21 setups / or as many as 6-7 pages a day. Do you just sit down with your director and go through the blocking or lighting, or do you create an estimate based on what your estimate of the scene and shots the director wants?
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