graeme hogg

That would be amazing Beau. If always feels a shame to separate parts out from machines. BUT, if this seems a useful opportunity to do this I would be eternally grateful. I'm after ANY oxberry gates. Also the projector head sprocket drives, esp for 35mm ( I only have 16mm ones) . Also rotoscope parts, relays lens mounts or parts, etc. sprockets http://www.nachleben.org.uk/skomer/man-uploads/OXBERRY/photos/oxberry%20009.jpg http://www.nachleben.org.uk/skomer/man-uploads/OXBERRY/photos/headsprockets.jpg camera http://www.nachleben.org.uk/skomer/man-uploads/OXBERRY/photos/camera.jpg http://www.nachleben.org.uk/skomer/man-uploads/OXBERRY/motor/VID_20161109_133415.mp4 http://www.nachleben.org.uk/skomer/man-uploads/OXBERRY/photos/oxberry%20019.jpg

BTW. The single perf shuttle I have is super 16mm a sis your from the photo. I am also really after standard 16mm gates BUT I think, or suspect that standard 16mm gates are always double perf. I havent seen any standard 16 gates that are single perf. People (as Frank mentions) usually take a pin out. I like the super gate because I'm doing exposures onto the soundtrack area but as long as your art work is masked you can crop the expose anyway, effectively acting like a standard gate.

I'm sure you won't but if you reach a dead end with the oxberry (single perf) gate I'd be interested in buying it as I'm restoring an optical printer that uses oxberry movements. I only have 2 x 35mm and 1 x 16, so I really need a 16mm gate to complete the fucntionality. All the best with your project though.