Thanks for the interest in my work, and hello to Satsuki and Tyler. Hang in there guys, I know it's tough now.
I can still service film cameras, and I still have all my tools, but I am limiting service to the cameras I really know well: The ARRI 16SR 1-2-3-3A series, 35IIC 35IIIC, 35-3. I can also do basic service on the Moviecam cameras, but not a major overhaul.
I do not work on the ARRI 16S, 16M or 16BL, or the 35BL (other than basic things such as FFD calibration), or anything non-ARRI with the exception of Moviecam.
I have relocated to Portland, ME. My current area of focus is lens testing equipment (collimators), and prototyping optical products.
I am willing to continue doing the film camera service as long as there is sufficient demand. Ever since Clairmont Camera closed down I have seen much less demand so if the trend continues I may not be able to continue.
Those of you that want to keep film alive: Resist the tendency toward commoditization. Just because you can get brand new made-in-China gear cheap and it is the same (so you can buy from the cheapest seller), that model does not translate at all to something so unique and specialized as film cameras.
If you don't support the few of us that are still doing this work, or if all the work goes to one company or person, it won't take much to kill the whole ecosystem off entirely.