Adrien Tran

I just found that EFILM was one of the post production companies used and they do film scanning, di's, etc. so I'm more inclined to assume it was a di process.

I was listening to the DGA podcast with Robert Eggers and Rian Johnson for The Lighthouse and he mentioned briefly that while DCP was the release format for theaters, he'd like to do a 35mm print. I've looked and haven't found any news on if one ever came out. Aside from wondering if it ever got a 35mm release, does anyone know the finishing process for the film? I've heard them use color grade multiple times so I'd assume it was a di process, but I'm not 100% sure.

I'm not sure if this belongs here, but it seems the most appropriate. I might be getting an arriflex SR or SR2 soon and both are bayonet mount. I am wondering if I can/should get a conversion to PL mount or buy one with PL already. Thank you, Adrien Tran

Hi Brendan, I am wondering if the sr or bls or available and the price. Thank you

Does anyone know if you can load a 100ft roll of film into an Arri SR magazine?

I am thinking of getting a 16mm camera for my next project and thinking of getting a Bolex H16 or a Krasnogorsk. The Bolex has a nice look along with quality, but the lenses are harder to research or get while the Krasnogorsk could be fitted for m42 mounts which are much easier to get and tinker around with. I would like the Bolex, but the Krasnogorsk provides many more options at a cheaper price. What should I get?