Andrew Woffinden

I always think that sharp lenses on still look fine but in video they make everything look, well, like video!

I really dislike the look of super modern sharp lenses without any filtration but when you've got a pro mist on there (I generally use 1/4 pro mist with sigma art lenses) does that close the gap between modern vs vintage lenses. Is there something I'm missing? I'm from a stills background where lenses are much easier, for me, modern Nikons work great, for cinematography, it's a world of complexity!

All the tests seem to show the C70 and the Komodo performing pretty much the same in most respects. With the ease of use of the C70, why are people deciding to use the Komodo over the Canon?