francisco soriano

Anyone have any experience pushing 7212? Grain levels and such.. any links to examples of 7212 pushed a stop or more would be a big help!

another video shot on the Phantom http://youtube.com/watch?v=kmqpHpX9se0

heres the link http://youtube.com/watch?v=kmqpHpX9se0

Can anyone suggest a film stock that can handle shooting under uncorrected fluorescent lights.. Im shooting in NYC in a subway station and in a small store.. I cannot swap out the tubes in either of these locations.. The store Im shooting in has quite an excessive amount of fluorescent lights on the ceiling.. completely covered in tubes.. If anyone has any experience shooting in these conditions, please share. Any stills of something shot in similar conditions would also be very helpful as I am unable to do any tests. Im shooting with an Aaton 35 and zeiss superspeeds.

Cant wait to hear how that goes! Dropped my film off for processing today.. I'll let you guys know how it turned out on Monday..

Im looking for a gaffer to help me out on my shoot.. shooting on 35mm in NYC.. sept 1-4 Im doin this for my reel and will be paying for this production out of my pocket.. In other words the budget is tight.. There will be pay but probably knowhere near what you deserve :( Send me a link to your reel if possible. Thanks!

Im shooting a short on 7285 100D reversal.. I'd love to hear from anyone who has shot on this stock and how things turned out.. I have some scenes indoors which I plan to light using daylight from large windows as well as daylight balanced kino flos and some china balls with daylight bulbs. Im getting the daylight bulbs from the hardware store.. does anyone have any experience shooting with these types of daylight bulbs (sylvania daylight)? or if you could suggest a good daylight balanced screw in light bulb.. Unfortunately we do not have the budget or time for test shoots.. Can anyone suggest a good place in New York City that does quality E-6 processing.. I've had some bad experiences in the past processing reversal stock.. I was also planning on pushing 1 stop on some rolls.. is this something that this stock can handle or will it become too grainy.. Im looking for a surreal, nostalgic, vintage look with minimal grain.. hopefully rich blacks and super saturated primary colors.. Let me know whats up.. Looking forward to hearing everyones experiences with this.. Any advice or suggestions would be greatly appreciated.

Im shooting a short on 7285 100D.. I'd love to hear from anyone who has shot on this stock and how things turned out.. I have some scenes indoors which I plan to light using daylight from large windows as well as daylight balanced kino flos and some china balls with daylight bulbs. Im getting the daylight bulbs from the hardware store.. does anyone have any experience shooting with these types of daylight bulbs (sylvania daylight)? or if you could suggest a good daylight balanced screw in light bulb.. Unfortunately we do not have the budget or time for test shoots.. Any advice or suggestions would be greatly appreciated.