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Showing results for tags 'FILM'.
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I am selling off a large part of my 16mm collection. I've got 2 REX-5 bodies, in perfect working condition and super cosmetic condition. Comes with rewind knob and eyecup. $700 OBO. Am also selling off these lenses, also usable on 4/3 (Four-Thirds) sensor digital cameras. Listed are prices for each. May be open to negotiating. Switar Kern-Paillard H16 RX 10mm f/1.6 - $200 Wollensak Cine Raptar 50mm f/1.5 w/ hood - $200 (3x) Switar Kern-Paillard H16 RX 50mm f/1.4 - $500 Switar Kern-Paillard AR 50mm f/1.4 - $500 Yvar Kern-Paillard AR 75mm f/2.5 - $250 Yvar Kern-Paillard AR 75mm f/2.8 - $200 Inquire about the pieces you're interested in. Will sell separately. Can give discounts for buying a bunch of stuff. **I've also got these few lenses that are quite rare, I'm not really looking to sell them but will consider if the price is really right: *Switar MC 10mm f/1.6 Macro *Bell & Howell/Angenieux 25mm f/.95 *Macro Switar H16 RX 50mm f/1.4 *Angenieux Type S5 50mm f/1.5 *Schneider-Kreuznach makro-tele-xenar 75mm f/2.8 If you're in NYC area, we can meet up, otherwise, Paypal (must have verified address). Let me know if you're interested in anything! I have photos of each piece.
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Greetings, I recently purchased two Sylvania Sun Guns, I mainly shoot on the following: Bolex 5120: Super8mm Bauer C5 XL: Super8mm Krasnogorsk 3: 16mm Canon Scoopic: 16mm The Sylvania models are: The Sun Gun I and II models Is there a safe way to use a diffuser with these bad boys? I am interested in the Sun Gun made by Slyvania that is both a flood and spot light. What can these features offer me?? I know these bad boys can get dangerously hot. Is there a way to take a device that plugs into get power into an outlet and make it plug into a portable battery? Also whats the deal with these things: Cine 60 Sun Guns? How would LED lights effect super8 and 16mm filmmaking? I recently held on for a friend who was shooting with Canon 5D or 7D not sure but it was fun and I enjoyed shifting the temperature and viewing the viewfinder of the camera to see the effects when I shifted the temperature knob. I would like some advice and general input from this community.
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Hello everyone, We are planning to shoot a very low budget feature film this summer and I have some questions on the camera set we will use and I hope you can help me on some of the following: 1. The 16:9 sensor on the GH2 + a 2x anamorphic adapter produces a final stretched anamorphic aspect of 3.55. Which would result in (1920x1080)*(2)= 3840x1080. Instead of doing the decompression from 2x, I want to interpret the shot as if pixels would be 1.333 or 1.4587. I know it keeps the image still a little deform but I think I like the look. Whats your technical and/or creative take on it? (SEE IMAGES BELOW) 2. We would project it on standard 2k (2048×1080) DCP cinemas and the final cut would fit into it with a 2048x858 (2.39:1) size movie. Am I right? or does it work in another way? 3. I am currently using Sedna AQ1 for max detail against anamorphic softening against big screen projection. Do you think it will hold enough? Would you sharpen in post? Whats you recommend any other hack? Given this 3 points which would be your opinion on this process? Have any of you seen any gh2 anamorphic content projected in 2k dcp? How does it stand? Thanks for your help! P.D. Anyone selling a Kowa 16-h (8z) In order not to be so limited with the 16D in lens minimum mm´s? -
What was the dynamic range of color film negatives used in the 70's like? If I'm correct newer film negatives can have a dynamic range up to 14 stops. What about in the 70's? For example, how did Eastman Color Negative 5254, 5247 or Fujis 8517 perform at this department?
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Does anyone have datasheets or other data on Eastman Color Negative 5254 or Eastman Color Negative 5247? Also data on other 35mm negative films used in the 1970's would be appreciated. -
Hi all, I'm a film student in Ireland D.O.P.ing on a Super 16mm short in a few months time and am looking for advice on processing and transfer. At the moment I have an assortment of short ends of various stocks (At the moment, almost 200ft of Vision 2 500T, 30ft Eterna 500T and a few more short ends on the way) I am wondering if labs out are willing to develop short ends of different stocks, even very low amounts, and count them all as the one total in regards to pricing. I don't know anything about developing pricing as the last time we shot S16, the college organised stock, processing and telecine. I am also looking for labs in Ireland/UK/Europe that develop 16mm at competitive rates for a student, the budget is low but I am willing to spend to get the look as I believe it is essential for the film. Thanks all. -
Hello all, I'm new here, and have decided to dive right in. Check out a little project myself and some chums shot in the summer. It's about rape and murder. https://vimeo.com/60551788 Thanks, Lucien
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"A young girl's message makes its way into a struggling boy's life" This is the second short film I have made, improving slowly but surely. Written and Directed by Eric Castillo http://www.youtube.com/watch?v=jZ_dT2V0URg&list=UUsTYaGYnM3BUWm49AEdmAjA&index=7
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The 2013 Academy Award® best picture nominees include six movies that were shot on Kodak film: Argo, Lincoln, Silver Linings Playbook, Django Unchained, Beasts of the Southern Wild, and Les Miserable. In the 84-year history of Oscar®, no Academy Award®-winning best picture has ever been made without motion picture film. "We congratulate all of the 2013 nominees for their remarkable achievements,” says Andrew Evenski, president and general manager of Kodak’s Entertainment and Commercial Films Group. “We are honored that so many talented filmmakers continue to choose Kodak technology to tell their stories and create extraordinary images.” Movies made on Kodak film received a total of 56 nominations. In the four acting categories, an overwhelming majority (16 of 20) of the nominated performances were captured on motion picture film. Additionally, three of the five nominees for best cinematography relied on Kodak film to create their compelling imagery, as did three of the five directors acknowledged in their category. Evenski also notes that Kodak is still making billions of feet of film. “Many of those reels will be loaded into cameras that are capturing movies that will contend for Academy Awards in 2014.” Kodak’s Entertainment Imaging Division is the world-class leader in providing film, digital and hybrid motion imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion.
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hello everyone, I'm a final year cinematography student of ftit, chennai, tamilnadu. Within a month, I'm going to do my diploma film, the academic exercise.My director wants a blue tone overall the movie. so somebody give me suggestions to achieve it since i'm a budding cinematographer. Herewith I'm attaching all the equipments i would be provided : Arriflex III, 500T (2 nos), 200T (4 nos), lenses- 24mm-290mm zoom, 24mm, 35mm, 50mm, 85mm, light- 1kw, 2kw, 5kw. I know many methods would be available like using filters and all, but i would like to know the effective method that would be apt for the mentioned requirements. By the way, the diploma genre is a thriller. Regards Kirubanidhi
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Hi guys, I've been following this website for a while now, however this is my first time posting. Anyways, I would greatly appreciate if you guys watched my first project, a short film entitled The OD. Thank you.
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"A young girl's message makes its way into a struggling boy's life" This is the second short film I have made, improving slowly but surely. Written and Directed by Eric Castillo http://www.youtube.com/watch?v=jZ_dT2V0URg&list=UUsTYaGYnM3BUWm49AEdmAjA&index=7 -
http://www.youtube.com/watch?v=BfZLhG-hm5o ^ Click to watch lana del rey - blue jeans
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Hi I am empop. I am a singer/songwriter, producer, and recording studio manager from London, UK. I am writing to offer my music for free for film projects! I expect no royalties! If you would like to use my music I just ask that you send me a link to your final film, credit me at the end and also Follow me on Twitter: @empop89 and like my facebook page: www.facebook.com/empopmusic. ;-) My music is quirky, different, happy, catchy, melodic, fun and would work well for TV/Film/Adverts etc! I own all the rights to my music. I have instrumental versions of all my songs too if needed. MAGICAL, UPLIFTING songs: 'The Garden' 'Let It Go': DARK QUIRKY MUSIC: My track 'Night Poem' has the right feel for shows like 'Vampire's Diaries' etc Night Poem: My album was produced by Britney Spears' Musical Director Simon Ellis. You can hear all my music at My website is at https://www.empop.co.uk and my Facebook page is www.facebook.com/empopmusic December 2012 - The 1st song from my new album - 'The Garden' was played on BBC RADIO 6 by Tom Robinson. July 2012 - My song 'Let It Go' was played on BBC RADIO 6 by Tom Robinson. 25th June 2012 - My song 'French Riviera' was played on BBC RADIO 6 by Tom Robinson. In May 2012 I was invited on BBC Introducing at BBC Three Counties Radio to talk about my music and they played 'Whispers In The Night'. Cheer up your day with some empop ;-) Thank you for listening. Love empop xxx EMAIL ME: empop89@hotmail.com SAY HELLO: www.empop.co.uk Twitter: @empop89 www.facebook.com/empopmusic Youtube: empop89 www.soundcloud.com/empop89 email: empop89@hotmail.com -
Here's my latest short film which I did a lot of experiments for regarding Cinematography. http://www.youtube.com/watch?v=V5lJ9C5XWqw
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Hello. My name is George Skoumas Papanikolaou and I am a 25 years old director. I just made my first movie called "The Designer", a no budget film using only a Canon 550D and a kit lense 18-135 EFS and also a goPro Camera. It's an action short film with car races and a dramatic impact on the end of the film. No professional or amateur actors. Just friends. No script ever written. All in my head. Direction/Editing/Sound Editing/Trailer VoiceOver/Visual Effects all by one person. The music was written by a friend and it's also a home production using orchestral music. It took us a lot of time and a lot of struggle to manage this final result. The movie was started as a small trailer and ended as a middle length 32 minute film. We also won two awards in the Accolade Competition in California. This is my first post in this forum and I am very excited to be here with people that we all share our same passion. Right now I want to start new projects and ideas. I have 2 scripts in my mind and looking for people to cooperate with and shoot something the way it should be. Let's say that this movie was my personal university in filmmaking. It showed me the ways. I now start to walk them. Please come with me. This is the movie trailer: http://www.youtube.com/watch?v=SVoo8MVE3R0 Please WATCH the whole movie here: www.thedesignermovie.com/watch.php You can see information about the movie right here: www.thedesignermovie.com My personal portfolio can be found at www.skoumas.net
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HI all, I'm very new to Forums and hope I'm doing this right! :) I'm hoping to get into Cinematography after my University course has finished. Just thought I'd share my most resent piece of work. http://www.youtube.com/watch?v=V5lJ9C5XWqw Regards, Aaron Rogers
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Looks like Kodak wants us to get excited. Here's a video of the assembly line for 50D.
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I'm a student at Karelia -university in Finland. I'm writing my thesis on "How to make digital video look like it was shot on film in the 70's". My thesis aims to answer questions like 'why did movies look the way they did in the 70's', 'why and how does deteriorated film look' and 'how can you achieve that look with modern tools'. I focus on the post-production part. If you could answer one or more of the following questions, I'd be most grateful. Or if you know a book or a website (other than Wikipedia) which deals with these subjects, that could help too. 1. How were the colors of the film altered or enhanced in the 70's? If I understand correctly it was done chemically somehow. Could you alter colors separately or would the alteration affect other colors as well? 2. How has film stock improved from the 70's to this day? 35mm film was used back then and it's used nowadays, so what is different? For example, older movies look softer or blurred compared to movies nowadays. Is this due to film stock getting better, or some other factor? 3. Color fading. I've come to understand that the colors of the film stock fade at a different rate. Cyan fades faster than yellow and yellow fades faster than magenta. Still, I have seen older horror movies that are quite heavily blue tinted. Of course I haven't seen them on film, but on DVD or Blu-ray made from the film. Are there some variables to how the colors fade? 4. Why do older movies have more film grain than newer movies? They are caused by silver particles in the film stock, if I'm correct. Is this due to film stock or camera equipment getting better?
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Hey Guys, I'm trying to sell my: Stealth Standard 40.5" Kessler Slider (just sent it to kessler to check out and make sure it's in perfect shape) Custom C300 Gear and a case. Here are my posts on Craigslist: http://newyork.craig...3568283838.html http://newyork.craig...3566544738.html http://newyork.craig...3566435846.html Thanks! I also have some more film gear I'm selling soon on Ebay, so inquire if you have anything else your looking for. I'm shedding weight for my new apartment in NYC that is not as big as the old one. Best, Andrew Wonder
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http://about.me/adamlcohen *click on the vimeo or youtube links at the bottom of the page to view my reel. Thank you for your time! Adam Cohen
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Here is my newest short film, ’i love you & goodbye’. Photos in motion, consisting of 4,733 pictures. A relationship between a young couple, from the first I love you to the dreadful goodbye. Let me know what you think! http://www.youtube.com/watch?v=pSqZZrmJcXQ&list=UUsTYaGYnM3BUWm49AEdmAjA Subscribe to my YouTube Channel !! http://www.youtube.com/erichasaids
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Here is my newest short film, ’i love you & goodbye’. Photos in motion, consisting of 4,733 pictures. A relationship between a young couple, from the first I love you to the dreadful goodbye. Let me know what you think! http://www.youtube.com/watch?v=pSqZZrmJcXQ&list=UUsTYaGYnM3BUWm49AEdmAjA Subscribe to my YouTube Channel !! http://www.youtube.com/erichasaids
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I have my Arriflex 35mm camera package up for sale. I have arranged it to be a film maker's production kit, so it comes with everything you need to get you going. Here is an excerpt from the ebay ad I have up. This is an ARRI 2C camera (rods, matte box, not included) with a flat-base crystal-sync variable speed motor, 50mm Schneider Xenon Lens, Vintage wooden Tripod & Arri 2c Friction Head and LOW RESERVE. Camera comes with Black and White video tap, for you, for your director and/or your actors too. With this kit you can make money with the satisfaction & quality that digital just can't offer you. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. Camera body with motor weighs less than 8 pounds. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports and Lens caps for Schneider Xenon All you need is film and you’re ready to roll!! To help out any prospective filmmakers I'll even throw in a few cans of recanned 35mm which I’ve never opened to get you started. 200ft x Kodak 500t 5219 Indoor stock 190ft x Fuji 250D 8563 Outdoor stock 200ft x Fuji 500T 8547 Indoor stock Check out the auction for more pictures and details here: http://www.ebay.com/...=item25791cf94f I'd be willing to offer a special deal for members of the site, $2,500 for the whole kit. Considering The lens alone is worth over $500+ it really works out to be a sweet deal. Let me know if you're interested, Thanks! Peter C.
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ROCHESTER, NY (December 12, 2012) – Kodak is making its KODAK VISION3 50D Color Negative Film 7203 available in the Super 8 mm format. This fine-grained, daylight-balanced stock will be available in January 2013, giving filmmakers more options and flexibility for shooting on location. KODAK VISION3 50D film was introduced last year in the 35mm and 16mm formats. It is a low-speed color negative optimized for capturing images in natural or simulated daylight conditions. The VISION3 Film imaging technology incorporated into the stock makes it the world’s finest grain negative with extended highlight latitude – as much as two stops of additional overexposure – as well as better signal-to-noise performance, especially in over- and under-exposure. It also offers improved color consistency over the entire exposure range. These features provide filmmakers with the ability to shoot challenging high-contrast exteriors, and follow the action into bright highlight scenes without loss of image discrimination. “There are a wide range of Super 8 users around the globe, and this gives them another stock for their toolbox,” says Kodak’s Mike Ryan, director of film technology for the Entertainment Imaging Division. “Now filmmakers turning to the small gauge format can take advantage of the finest grain motion picture technology on the market to craft the distinctive look they desire from a film captured image.” The ability to render images full of color and detail over an extended exposure range through more efficient light utilization also produces cleaner film-to-digital transfers, bringing benefits to the post production process. This enables digital dodging and burning in post to bring out highlight detail and the extraction of additional information from the shadows. With this addition to the Kodak Super 8 film portfolio, filmmakers can choose from three color negatives ranging in speeds from EI 50 to 500, or the KODAK TRI-X Black & White Reversal Film 7266. For more information, visit www.kodak.com/go/motion. Follow Kodak on Facebook (www.facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm) and YouTube (www.youtube.com/KodakShootFilm).
