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Found 6 results

  1. FotoKem, a leader in digital and film post production, was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade. Services included a customized workflow for dailies, editorial and VFX support, conform, and a color pipeline that incorporated all camera formats (film and file based) while adhering
  2. Post Control and FilmLight invite you to a new workshop on look development and colour space management with Prelight. This workshop will start at 6pm, and will cover: Presentation and Q&A on colour space management with FilmLight's Thomas Eberschveiler. Demonstration of Prelight, plus live exchange of looks/BLG grades between Prelight and Baselight, with Pentti Keskimäki, Colourist F.S.C. at Post Control. Pentti will also show his favourite tools in the colour grading system - including some of the new features the upcoming Baselight 5.0 release. Entry to this event is free but you mu
  3. Dit, the proffesion | Camaleon Cinema Services Camaleon Rental blog we are going to speak about the role of a DIT. The first question is to define what a DIT is as well as determine if this position belongs to the camera crew or to the postproduction crew. The answer would be that he is kind of a liaison between both department, even though if we have to make a choice we would say that he is part of the camera department since he works on set. The DIT profession (technical image technician), arrives with the appearance of the first high definition cameras and then with the digital cine
  4. Hello, I am and enthusiast cinematographer in the process of learning and experimenting. I like how the highlights glow in "The great beauty" and other films and I would like to know how to achieve something similar with digital cameras. Aspects I like are: - Detailed but soft (unsharped) images - The light sources seem to glow - The light goes a bit into the boundaries of the shadows - The highlights have a nice roll-off - The light rays can be seen. Aspects I dont like: - Dreamy effect where everything seem to glow - Clipped highlights with bad roll-off I guess
  5. The Company's new organization charts the course for the future LONDON - Vitec Videocom, known for its world-class video brands, is evolving its structure: to put the tools and technologies developed for professional broadcasters and cinematographers into the hands of a growing community of independent content creators. The company's push to democratize some of its high-end technology will be supported by a new management team and organizational structure. "Every now and then we take a good hard look at where the video industry is going and how we fit in that picture," said Matt Danilowicz,
  6. Hi. Most of my narrative films are shot on RED camera´s. I have a job where we might shoot on Arri Alexa camera. I heart that post production and color correction is easier with Alexa. Any in here with great experience with the Alexa workflow:-)? Best, Henrik A. Meyer. www.henrikameyer.com
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