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Showing results for tags 'Spirit'.
As I mentioned in the Super8 thread, I have a long dreamed of project in the works: A feature that will be partially shot on Super8 film. We are shooting all of the 8mm scenes first and will edit and then see where we are at. Never mind the fact that prices for stock have gone up by 50% or more in the last 18 months :angry: there is also the issue of not receiving responses from the labs or scanning facilities I have contacted. I don't want to be rude and mention which ones, but it seems like maybe some just don't care about 8mm at this point because I am receiving replies to my emails i
Hey everyone, Recently I shot a student film with 16mm Kodak 200t 7213 stock. It recently came back from telecine and it looks much more grainy than the footage I've seen previously online of 7213 or even 7219. A Spirit Data cine was used for the transfer and I got the footage as HD pro res 4:2:2. We rated the film at 200 and underexposed -1 stop. My question is, is this the noise from the telecine or is it just 16mm grain? I attached some screenshots below. Thanks in advance Best Regards Yunus
Hello, I'm wondering if the slight ghosting of the previous frame is inherent in the Spirit transfer process. In the screen grab, you can see it around the eye and cheek of this snowman. The lines are where those were on the previous frame. Is this found with use in Arri scans, etc.? Thanks
Anyone can look into their film scanner and tell me what light source they are using? Seems like the Spirit Datacines and the Kinettas use either a short-ark Xenon lamp or an RGB tri-LED. But who manufactures these lamps? What are their models? Please help!