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Found 6 results

  1. ARRI Zeiss ULTRA16 SET for sale. Primes: 6, 8, 9.5, 12, 14mm. Lenses in good condition, glasses in correct condition. No dents or marks. Focus: Metric Price: €41,000
  2. I've been a commercial photographer for 25 years, started DP and directing a decade ago, broadcast and streaming commercials, documentary and docu-series working with Arri Alexa, Amira, Red, Sony. A friend picked up this SR2 in Iraq in 2003 from a Brit filmmaker, my friend was there for NatGeo filming. He has a terminal illness and gave me the Arri SR2 w/Angenieux 10-150 and an additional high speed magazine. The SR2 is serial # 63831. I'm planning on filming with it and getting it set up (it needs a new cell or replacement battery - the casing is there but empty inside, just 2 wires). Ideal would be to convert to a V-Mount if possible. And down the road convert to Ultra16 (DeMarco/Aranofsky). I'm curious it has a High Speed magazine, How do I tell if the camera is a High Speed version (10-150fps)? If not can I use the high speed magazine as a standard mag? iPhone snaps attached.
  3. Hi, I'm looking for any ARRI Zeiss Ultra 16 lenses for sale. Seeking a set of five or six lenses. Feet markings. Open to single lenses. Preferring in this focal range: 8, 9.5, 12, 14, 18, 25mm. Feel free to message or email me any offers or leads. jjwalker.work at gmail dot com. Thanks, -jj
  4. Hello, I am looking at buying a 16SR3 within the next two months and have read all the ARRI downloadable manuals and am stuck on which lens would be best for shooting with relatively low light conditions and still have a sharp image and some flare. What has confused me was that I was always interested in the T1.3 Zeiss Super Speeds, but i have been told that these wont work on this camera. But I thought the T1.4 was for 35mm and T1.3 was 16mm. What about the Zeiss CP2 T1.5 super speeds. One last thing is the Zeiss Ultra 16 lenses, I know they work best with the super 16 416 models, but can they also be used with a 16sr3 if converted to super 16. Thank You!!
  5. Hi guys! I’m currently in the pre-production stage on a project that I am planning on shooting this coming summer. It’s a music video that follows a group of people with emphasis on one of them and her experience and discoveries about herself during their stay at a music festival over the course of about ten days during the summer vacation. I’ve been toying with this idea for some time now and I’ve realized that I really want to shoot this on film. I really feel that film is the way to go, both in the way I would end up working and also in the end result. I really think a slightly soft and grainy and warm and beautiful S16/U16 (or perhaps even 35) Kodak Vision look would suit the subject matter very well. This is where I need your help. I am looking for a robust and light camera system that, if 16mm, would easily convert to Super or Ultra 16, preferably hand cranked, although this is not a requisite as long as the system has interchangeable batteries that last long and can be charged from a standard 220V socket as I will be staying with the group the entire time with limited access to electricity. A hand cranked camera would probably be a better option. I already own an H-16 Rx that I have some experience with, however it is not ideal considering I limit myself to Rx lenses and 100’ magazine and a viewfinder I’m not super fan of; too small and too dim imo. Basically, what I’m after: A light and portable S/U16 camera 400’ magazine preferably seeing as I will be shooting a lot of slowmo 24-48 fps Hand cranked is a plus Turret mount is a plus That being said … I have also been toying with the idea of shooting 35mm. I’ve seen several labs that scan 35 at a lower price than 16. Difference in the price of film isn’t that big either. Something like a Konvas looks almost perfect for what I’m after. The only problem being that it maxes out at 32fps and I’m not too familiar with old Soviet electronics. 3-perf would be more ideal than 4. I’d really appreciate some input and help from you fine people here ^^
  6. As some of you may know, we recently acquired a Lasergraphics ScanStation at Gamma Ray Digital. We're putting together some demo videos, and would like to include as many formats as the scanner can handle. We're all set with Regular 8, Super8 and 16mm, but if you have high quality (sharp, well lit, G-rated) footage in Super 16, Ultra 16 or Max 8, please send me a PM. We're looking for things like landscapes/cityscapes, architectural footage, nature footage, slow motion or timelapse. Basically, footage with relatively little camera motion so that we can easily put titles over it. In exchange for letting us use your footage on our website and YouTube/Vimeo channels (with credit, of course), we'll scan a couple rolls (50 footers for Max8 or 100 footers for Super/Ultra16) at no charge to 2k DPX, TIFF or ProRes files - your choice. As a thank-you, we'll also give you a deep discount rate on additional scanning. We can only offer this to the first couple of people who send us film in each format, so if you do have this kind of footage, please let me know so we can make arrangements. Here's an example of one of the videos we've already made: I hope this doesn't come across as spammy - we're really just looking for some footage to show off the machine and I'm too impatient to wait for the right material to come along! Thanks! -perry
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