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Showing results for tags 'baltar'.
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Hello, I'm interested if anyone has the original bausch and Lomb cinemascope anamorphics for 35mm film which were arguably the very first complete set of anamorphics for film and used the original baltars as taking lenses (I know there's a set on fjs, I'm just not interested in paying what they're offering it for) or the super cinemascope lenses for cinemascope 55 that can cover full frame and is the first lenses mentioned on Arris white paper about using the Alexa LF and anamorphic lenses. If you have either of these lenses and are interested to sell them, contact me.
Baltar 75mm lens mount?
Chris Lange posted a topic in Lenses & Lens AccessoriesI was wondering about the mount of this lens. I'm trying to adapt to micro 4/3. It looks like Arri standard, but it didn't mount to my Arri standard adapter. Does anyone know which mount this is? Thank you
Bausch and Lomb Baltar prime ( 7 lens )
fabrice RICHARD posted a topic in Cine MarketplaceFrench DOP sells his unique and extremely rare BALTAR series prime in original case. 7 lenses in perfect condition. 25 mm / 30 mm / 35 mm / 40 mm / 50 mm / 75 mm / 100 mm - BNC removable mount. link to Ebay : https://www.ebay.fr/itm/292921746755 more photos or informations on demand. best regards
Kodak 250D Color accuracy
Zachariah C. Bensel posted a topic in General DiscussionOriginally posted in FILM STOCKS Im am curious to gather some opinions. I plan on shooting a short in the near future on 16mm. Naturally my choice of stocks are limited to Kodak, and for production purposes 250D would be my best option. Now, really hate doing color correction and DI. I dont like doing it myself, and I dont want to pay to get a colorist to do it for me. I am wondering, how accurate are the colors of 250D, raw out of the stock? What sort of work would I have to do in post to make them accurate. Are there options for me in filtration to normalize the stock? My thought process is, that I want the stock to have an accurate color baseline for me to modify to fit my story. I am looking for a warm, medium contrast, and slightly diffused look. Something in between George Washington (2000) and The Long Goodbye (1973). For this, my idea of was to shoot with some TLS Rehoused Super Baltars, and apply a Tiffen Warm Black Pro-Mist 1/4. What do you think