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Showing results for tags 'camera movement'.
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I will be shooting a music video in Los Angeles at the end of the month where the director wants to film a series of push ins on the artist sitting in different locations. These shots will be in a variety of terrains: indoors, outdoors and some in a forest location. Our budget is under $1500 for this specific tool. The desire is to be on wider lenses – likely a 35mm anamorphic. The shot should move straight in towards the subject. My current thought is to use a doorway dolly on track, but I want to give the director the greatest length of movement possible and I'm afraid I will quickly see the track in the shot if I pull back too far. I'm wondering if some type of arm / jib that extends forward from the dolly could buy us some distance?I'm really not too familiar using dollys and not sure what to be looking for. I also don't want to over complicate the setup. Thanks! Drew
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Good afternoon! I am a huge fan of creative cinematography. Obviously we create images that first and foremost enhance our story, but personally, I like to be creative with it. Now after watching AHS, using the roll-axis has been stuck on my mind for a while, but as far as I can tell, this is usually done by huge heads on cranes. We have a Ronin, but it doesn't seem like we can actually controll this axis. Any ideas from the seasoned cinematographers in here? Also, is there an industry name for these shots? Thanks!
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After a summer of not doing much but making lattes for Hollywood folks and making a short film that I ended up not finishing, I feel behind as a student filmmaker. Are there any simple but effective practices that a person with a camera can get in the habit of to improve their skills? Skills such as: framing, camera movement, lighting, and composition. An example I heard of was to film ten second clips displaying dramatic light changes ie: striking a match in a dark room. I hope many can chime in on this!