Search the Community
Showing results for tags 'card'.
Found 5 results
So I have this question in my head for some time and i really don't have a clue how they did it. My best guess would be on film with some kind of light box behind the title card and gel or digitaly. But if anybody has a idea how the process is done to get this as an final image i would love to hear it! It got a film like feeling but also not. I just watched it again and now it feels like it try's to recreate film titles with flicker, leaks and grain in a digital environment. It's from a Dutch movie called Nocturne made in 2019. Very nouvelle vague(Godard) and modern nouvelle vague(Leos carax) inspired. Relatively cool movie... doesn't really have a lot of own character because most of it is a copy of Leos Carax his Mauvais Sang(1986). It has it's own story but the cinematography style is sometimes directly copied. Still pretty good copy though. CLICK HERE FOR THE TRAILER OF NOCTURNE(2019) to see examples of the title cards. Thanks in advance, David
Hey everyone. I just bought a used original BMPCC, but need to acquire cards for it. Apparently, SanDisk has updated their Extreme Pro Cards and the new version isn't compatible with the camera, so I'm scrambling trying to find the old version. Even internet sellers who have it listed as the old version turn out to be selling the new ones. If anyone is willing to part with a 64GB or 128GB card that they've successfully used with the BMPCC or has the product prefix SDSDXP, please let me know.
Kodak R-27 Grey Card and other Options
Brett Allbritton posted a topic in Camera Accessories & ToolsHi everyone, I just wanted to get a few perspectives on grey cards. I currently own a cheap Neewer card that has worked fine for my purposes so far, but I've always wondered how accurate it is. Because I intend to test some film stocks soon, I want to find one that I know is perfect. I've been thinking about getting the Kodak R-27 card, but the price tag of $27 for a piece of cardboard has made me hesitant to do so. I can't help but think that if I'm going to pay money for a reference like this, maybe I should look at other options as well. Does anyone have any grey card recommendations as well as advice on using one? Thanks.
Setting up a grading suite with BM Shuttle
Leo Vitasovic posted a topic in Grading, DI and TelecineHello! I have just finished a final cut of my new movie and would to color grade it. I heard something about buying a specialised video card for precise video playback (in terms of color reproduction). I found Blackmagic Shuttle as a relatively cheap (200$) option but I am not sure if it will do the trick? Also, one of my colleagues who knows about grading more than myself told me that I should be connecting Blackmagic shuttle to the minitor via S-Video out, not DVI or HDMI as they are not able to reproduce the colours precisely. Do you guys have any suggestions in whether which connection type should I choose for the best color precision? My movie was shot on a Mark III, H.264 in Full HD. I will rent a JVC Broadcast monitor for my Color grading work.
Important question about sound
Arrigo Verderosa posted a topic in Students and New FilmmakersHey there, I'm new here and I'd like to start asking a question about sound. Last year I shot a movie with a friend of mine, using as record devices a condenser microphone, linked to a sound card, which was linked to the laptop. Now, I brought my sound card home with me, but now it seems I can't find it anymore... Looks like I'll have to buy another one, but since I'm not an expert in this field, I can't really remember which are the features of the sound card I used last time, nor the brand... can someone tell me which are the basic features one should require from a sound card of this kind? It is a really important matter to me, thanks to all of you. P.S. if this can help, I was using cubase as recording program.