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Showing results for tags 'film stock'.
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Hello, I'm doing some school project, and I need to know exactly how the processed and developed film negative (preferably Kodak Vision3) looks. Can someone, please, post here some detailed photos of processed and developed film negative that comes directly from camera (no copy)? I would be extremelly grateful!! :wub: What is the main differences between processed and developed negative from camera and distribution copy film stock? Does the distribution copies usually using the same film stock type that is used in camera? Is there some distribution copies on Kodak Vision3? Does Kodak Vision3 contain sound, and if yes, what type? Can Kodak Vision3 (or other camera film negative) contain SDDS or Dolby Digital sound, or just analogue optical audio? Many thanks in advance for all your replies!! -
Dear Sirs I'm writing a short article for the next Torino Film Festival,referring to the New Hollywood retrospective 1967/1976 ,so for write something of less flat or boring, in that era are there any common influences in the way to use light,lenses and film stocks(the retrospective will focusing on Five Easy Pieces,Mean Streets,Pat Garret and Bil ly the Kid,Klute,TheConversation,Sugarland Express,California Split ,They Shoot Horses,Don't They?,Scarecrow,TheLast Picture Show etc., to less known films like Electra Glide in Blue,Dillinger,Little Murders,The Swimmer,The Friends of Eddie Coyle,Smile,Monte Walsh, Inserts,The Culpepper Cattle Co.Cisco Pike) I really appreciate any help you can provide.
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Hello every one. I shot this film in a Nikon r10 . The camera hasn’t been used in 32 years so… as a result of these tests, I will get it checked as far as the lens and the mechanism goes. The thing is, I did expected to see some grain, but this is excessive right? The B&W is a reversal 200 ASA, and the color one is a Negative 250 daylight. I did use the auto exposure meter built in, in the camera. I shot it at 24fps and 59 fps (the b&w). Got it transferred at pro8mm and color corrected scene – to –scene. So, if any one can share his or her ideas, pls do. I want to know what I did wrong not to repeat it again. Thanks every one. this is the link to the video of the film
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I just started getting into super-8 last year. I had an old Canon 514 XLS. Late last year, I started experimenting with Ektachrome 100D for outdoor use. As someone with no experience working with actual film, it seemed like the easiest, most affordable film stock to use for outdoor filming. I had to take a break for a bit, but now that I'm coming back, it seems like this stock has been discontinued. I've been trying to figure out what some other good film stocks would be. Does anyone have any suggestions or even a list of different super-8 film stocks? Since I don't know much about film stock, I've been having trouble even figuring out what I should get next and what I should experiment with. I see Wittnerchrome being mentioned a lot on forums, but, besides being unable to make sense of their website, it seems like their cartridges are going for upwards of $30, which is a pretty big jump over what I paid for Ektachrome. Right now, I'm just looking to experiment and figure super-8 filmmaking out, preferably affordably as possible.
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I'm a film student currently in pre-production for my first 16mm film. We have three rolls of film stock, and can choose from 50T, 250D, 250T and 500D We have three different aesthetics: One indoor scene in a swimming pool, where we will hopefully have 3/4 natural light and I'm hoping we will be able to use 250D Kodak stock, using only natural light. Two outdoor scenes (although in the English countryside, in May) in one of which we are hoping to acheieve a look similar to 70s photographs of Californian swimming pools, such as http://www.latimes.com/features/home/la-hm-backyard-oasis-photos,0,7657842.photogallery?index=la-hm-backyard-oasis-photos-002 while in the other, we are hoping to acheieve a colder 90s style such as this film demonstrates: http://vimeopro.com/yvonlambert/sallatykka/video/40155357 Sorry for the very long post, but does anybody maybe have some advice on which film stock to use? We are using the Arri SR3 and have access to 'basic filters' Thanks! -
Hi Folks, I never thought it would be so hard to sell fresh film stock at such a low price ! Had a few nibbles, but no one has shown me any money. The death of film can't be far off now, judging from what I see going for so little on all the used gear sites. Maybe it's time to start taking bets on when manufacturing stock will grind to a halt. A few years ago, I would've jumped at a deal like this. Here it is again: 6 100 foot rolls of Tri X 7266 Reversal film. Bought new June, 2012 and kept frozen. 5 rolls are sealed, one has been opened and has about 80 feet remaining on the roll. I want 80 bucks for the whole lot. If interested, please email me at martyh1960@yahoo.com.
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I was wondering what the protocol or standard practice is on storing processed Super-8 film. Bagged and in the refridgerator seems to be the concensus for undeveloped Super-8 film, but I've been having trouble finding any specific mention of what to do with processed Super-8 film. What do you guys typically do with your processed film?
