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For Sale: CINEMA LENSES: T-Rex Superscope Lens System Arri Master Anamorphics Lens Set Includes: 35/50/75/100mm Kowa Anamorphic Set Rehoused P&S Technik Includes: 40/50/75/100mm $80KCooke Anamorphic Set Includes: 32/50/65macro/75/100mm SF Metric $140KCooke Anamorphic Set Includes: 32/50/75/100mm SF $112KCooke S5/i Set Includes: 18/25/32/40/50/65/75/100mm $125K Cooke S4/i Set Includes: 18/25/32/40/50/75/100mm $75K Cooke S4/S4i Set Includes: S4 16,25,40,50mm S4/i 32mm (Singles) Cooke S4/i Mini Set Includes: 18/25/32/50/85/100mm Metric & Imperial Scales $33K Cooke S4/i
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Coding of sensory information changes depending on the stimulation and the environment. Visual adaptation is a highly dynamic process, and we are continuously adapting to the current viewing context. It is continuously regulating our perception and visual experience. Understanding the process of adaptation will tell us not only about our visual system but also about the natural world, because adaptation is highly optimised for natural images. FilmLight Image Engineer Daniele Siragusano will try to put this topic into the context of content creation and colour grading for multi-delive -
With Martin Tlaskal, FilmLight. In this final segment, explore the new input versioning feature in Baselight. Input versioning – either via filenames or making use of the Open Clip XML format – means that a scene can be updated with new versions of shots, providing massive time savings in quick-turnaround VFX jobs where new versions are constantly arriving:
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The free 'Colour On Stage' seminar hosted by FilmLight will include two days of live presentations that look at the interaction between colourists, directors, DPs and DITs. To view the programme and register to a session: https://www.colouronstage.com
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In Part 1, FilmLight's Daniele Siragusano explained the theoretical foundation of Baselight's next-generation texture tools. In Part 2, Colourist Andy Minuth puts these tools to practical use. He covers all of the features based on FilmLight's advanced frequency separation techniques: Texture Equaliser, Texture Highlight and Texture Blend. Andy showcases real-world examples and explains why the colourist community has adopted them so quickly. To watch Part 2 with Andy Minuth: To watch Part 1 Daniele Siragusano :
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Save the date... NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over successful careers – all live on Baselight. The colourist lineup includes… Doug Delaney from Technicolor, who recently graded Captain Marvel, Andrea Chlebak and Laura Jans Fazio of Deluxe, and Oxido’s Fernando Medellin, who will explain his grading approach on high-end beauty commercials and his work on the upcoming HDR Netflix show Monarca. They'll be joined by FilmLight colour experts D
