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Showing results for tags 'formats'.
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As camera's keep coming out with higher and higher resolution models (far beyond what our eye can resolve) and with company/studios like Netflix trying to force content creators to film their content in 4k (claiming to want to "future-proof" their investment).... Do any of you have any strong opinions on this and/or have you heard of anyone or you yourself not been able to sell your film BECASE it wasn't UHD or 4k (obviously SD has some hurdles)... I am considering filming some doc stuff while abroad for a year in Sri Lanka (a feature included) using a Super-16 lens (Canon 8-64) in a win
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- distrobution
- documentary
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I am trying to find if any major tv series were broadcast in scope aspect ratio? I know some shows such as The Walking Dead and True Detective s02 were shot anamorphic with a 16:9 extraction, but looking on line I was not able to find any series broadcast in scope except a british show called Broadchurch which apparently was shot anamorphic for 2:1 screening. Also the great doco Wild Wild Country was shot scope (seems anamorphic). Any other thoughts?
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- anamorphic
- cinemascope
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Hi there, I'm asking myself some questions about compression in the sony a7s II's various recording formats and maybe some of you know the answer. I tried to calculate the mean (file) size of a pixel in the different formats to compare the amount of compression: 4k 30p 100Mbps : 3.33 Mb per image = 0.40 bit per pixel (on average, obviously) 24p 100Mbps : 4.17 Mb per image = 0.50 bit per pixel HD 24p 50Mbps : 2.08 Mb per image = 1.00 bit per pixel 30p 50Mbps : 1.67 Mb per image = 0.80 bit per pixel 60p 50Mbps : 0.83 Mb per image = 0.40 bit per pixel 120p 100Mbps : 0.83 Mb per