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Found 5 results

  1. When cutting up a book to scan there are a number of battles to deal with. One is copyright. The other one is defacing a book. Only you only can decide which way to proceed...for the greater good or the greater right. Bound book was +/- 3.75" thick. Cover was cut loose by cutting through the end sheets. Individual sewn book signatures were cut loose and further disassembled from there. Edge photo of cut binding shows the crooked cut this guillotine cutter produces. Old school guillotine cutters produced square cuts. From my limited experience, modern imports in this price range do not. This type of guillotine cutter is only useful if the gutter of the book is wide. I've tried 3 different cutters of this style, and none of them produced square cuts. If the book has a narrow gutter, this cutter may cut into the text or illustrations of the book when disassembling the book due to the crooked cut it produces. Books with narrow gutters have to be disassembled by hand. The guillotine cutter photo is from the internet and used under the auspices of fair use. Photo of a rotary paper cutter used to disassemble pamphlets, magazines and booklets. The rotary paper cutter is also useful to standardized paper width to run through a sheetfed scanner. Example scans from disassembled book, which is the bible of all things hand tools and hardware from 1923 - The Shapleigh Wholesale Hardware Catalog. The book was hand scanned at 300dpi (BW) to 600 dpi (Color). A 300-dpi scan can be made in 10 seconds on my flatbed scanner. A 600-dpi scan takes 23 seconds. Time difference is not normally a big deal. But multiply the time savings x 3144 scans and it adds up. Working 7 days a week part-time, this project will take 3.5 to 4 weeks to complete. And that is for raw scans. For 600-dpi scans it is 7.5 to 9 weeks for scanning this project part-time. Post cleanup work will add a lot more time to the project. A sheetfed scanner was not useful for this project. The catalog's paper is thin which produces wrinkled paper issues on the scans. Also, the ink used in the book is matte black which transfers to the black ink to the scanner rollers. This will leave marks on the pages that run down the full length of the page like black tire tracks. Lastly the book is old and dirty. Dirty originals lead to lines on your scan when using a sheetfed scanner. A speck of dirt on a flatbed scanner, is a speck of dirt. A speck of dirt on a sheetfed scanner is a white or black line that runs down the entire page. For more info on scanning techniques see: NSFW SHOOTOUT…Flatbed Scanner vs. Sheetfed Scanner vs. Copy Stand Photography – Daniel D. Teoli Jr. Archival Collection – II <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  2. Can you run a Lasergraphics scanner with your own computer or does it only work with the proprietary computer? <><><><> Selection from DDTJRAC Fashion Archive Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. Social Documentary Photography
  3. Hello all, About three years ago, I built a computer to do lower-end editing with Premiere and AfterFX. Most of the projects were geared towards my high school AV class, so nothing more than 5 or so minute works with 1080p project files and H.264 codecs. Today, I'm still using the same project files, but I am editing much larger-scale works (15+ minute works, plus incorporating DaVinci Resolve into my workflow). With my most recent project, I have just color graded via Resolve, and I am finding a lot of difficulty in just opening the Premiere file now. Premiere itself crashes quite frequently, there are times when I open the project file and some of the color graded media is "offline" (when it typically isn't), and I have a hard time rendering this footage for preview (due to Premiere constantly crashing). My workflow is this: Import footage into Premiere, match audio & cut it together -> export XML file -> import XML file of Premiere sequence into DaVinci, color grade the shots -> export H.264 file out of DaVinci, import each shot and replace it's counterpart in Premiere in order to begin sound design Here are the specs for my computer: OS: WIndows 7, 64-bit RAM: 8gb CPU: Intel Core i5 4670K Graphics: NVIDIA GeForce GTX 660 So my question is, is this a hardware issue, or something in my workflow?
  4. I know essentially nothing about cinematography or film making - I'm just making a youtube series to satisfy my overblown ego and placate my own sense of inadequacy expand on my satirical blog. I'm running on a shoestring budget, I have next to no experience, and I have no equipment. So what kind of camera, microphone, and software could I get for very little money that would still allow me to make tolerable-quality little videos? Thanks!
  5. http://www.youtube.com/watch?v=zgu9uo2UpPg How did they shoot this hardware video? I know it's live action hardware with hands but how did they rig it and make everything white? I really like to hear all ideas out there. Thanks
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