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Found 4 results

  1. Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloor lights would help accomplishing this nighclub ambiance) The second one is more of a natural ambiance in bright daylight with characters in the frame running on a road and other narratives sequences in the city ... Thanks in advance ! cheers
  2. Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate 😉 I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan
  3. Hey guys! I just finished a 16mm shoot and am on the process of sending the negatives do be processed by CineLab London. They offer tons of scanning solutions and I'm kind of confused with some of them. Would love if you guys could help me with some questions :) 1.They state that all of the scans are deliveres as .dpx "full frame" files - Full Frame is only the image? Or will I see the borders, sprockets and etc? 2. What does it mean to have the negatives "overscanned"? They offer this option only on the Scanity scans - does it means that I'll see the sprockets, borders, etc? 3. What are the image quality difference between Spirit and Scanity scans? Is it significant? Thanks for the attention!
  4. Greetings, I'm selling 8 rolls (976m/3200ft) of KODAK 16mm VISION3 500T Color Negative Film 7219 acquired in 2012 (August). 500 Euros (+ shipping) Best regards, Tiago Carvalho
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