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Found 3 results

  1. Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloo
  2. Kodak Ektachrome 100D Double Super-8 DS-8 122 meter / 400 feet Kodak Ektachrome 100D Double Super-8 16/8 2R 122 meter / 400 feet Kodak 7285 CAT 186 1681 One metal can, never opened, from cooled storage. NOT homebrew DIY. Kodak original perforation in Kodak packaging. Bought it for a project from USA, self imported. It is now in Europe. Save on duties while it is here. This can never made it into the project and I don't expect any use in the short or long term. Nice to expose in DS-8 camera like Elmo Filmatic of Canon Scoopic for maximum sharpness or slit it into two strands and
  3. Hi, I am new to the forum! I recently bought a tested and fully working Bolex 350 Macro compact. I am new to super 8. The thing is I am planning an adventure with a friend: we are going to go up a volcano in the Andes. My idea is to document the ascent with the camera so I got some Kodak Ektachrome 100D. Apparently this model doesn't detect this type of film automatically. From what I've been reading so far it looks like (since the camera is post 1970) it will shoot as if the film was 160 ISO so this is going to underexpose my film by about 1/2 stop. My question is, is this bearable? I
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