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Found 3 results

  1. Hi everyone. I'm looking for advice on lighting interviews with a tiny crew (2-3 people) out at sea on a small 30-40ft boats. I'm frequently booked on these gigs but I find that 99% of the time I never dig the look of the interviews. It's always a matter of finding what looks the least bad. For most EXTs (on land) I'll backlight and try to shoot into a BG that's in the shadows...but of course on a boat there aren't any shadowed BG's, except maybe a tiny part of the deck. Most times we end up settling for front lighting the subject and holding a foldable silk to diffuse the light a bit,
  2. I am visualising a concept for a short film, but I would like to have an underwater scene where I can actually see at least half the body of a person in the water, shooting from below. I have learnt that the fish tank methods are good enough for close ups. If I need half the body to be shot underwater, I will need a very huge tank to contain the actor. I am wondering if there could be more ways to do this provided that I could not really go underwater in the ocean or a pool. Thank you for incoming suggestions.
  3. Hi, I'm currently planning a short that I am DP'ing by the end of the summer. As you might have expected, we are kind of on a limited budged, but we have enough to rent the equipment needed. I am planning to shoot on my own 7d. The director wants the entire short, which by the way is one scene only (about 3-4 minutes), to take place by the ocean, and it is raining throughout the entire scene. We went location scouting last week, and found the location we want. It is, however, not very close to any population. My plan is to bring a power supplier, so that I may not worry about batteries
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