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Hi! I'd like to sell my Pro8mm "Classic Pro" with max 8 modification. It will come with the 8-64 zoom, a Cosimcar Pentax 6mm 1.2 prime, and the single lithium ion cell/charger. This camera has seen probably 10 reels since purchased from Pro8mm. It's as new as it was from the company. It's in beautiful hammertone finish. I have some Hoya color correction and ND filters I'll throw in too. This is a camera I will miss, but I have to save up for a relocation so it must go. I'd like $1750.00. That's a $940.00 discount from what Pro8mm currently charges. Here is the Pro8mm listing: http://www.pro8mm.com/Merchant5/merchant.mvc?Screen=PROD&Store_Code=01&Product_Code=CAMERA_CLASSIC&Category_Code=S8 This camera is in my opinion the best Super 8 camera you can get. The Logmar might be modern and perfect, but this is classic Super 8.
Blurred Footage Near End of Roll
Trevor Roach posted a topic in Super-8Hi everyone, Did some shooting a few weeks back, three rolls of 7219, all from Pro8mm. First two rolls worked great, but the moment I loaded up the third roll, the problems began. As I started rolling with my Beaulieu 6008s, I kept getting an error light after a few seconds of "rolling". After some trial and error with the sharpie trick, I figured out the cartridge was jammed. I tried multiple times the slap trick to loosen the film, to no avail. Eventually, I watched a Pro8mm video that suggested pulling some of the film out gently, then rolling it back into the cartridge. This appeared to work, and I continued the next day shooting, finishing out the roll. I got the footage back, and everything came out wonderful, besides the last half of that final 3rd roll. It was more or less blurry, and would pop in and out of focus. I've attached a clip where you can see this happening (both graded and log). https://drive.google.com/file/d/1Ai1fvD82pZL5i7mGggdKIkt07RwXcE9P/view?usp=sharing Is this an issue with the cartridges pressure plate and the film being previously jammed, or could it be an issue that is coming from the camera? Wondering peoples thoughts....
As I mentioned in the Super8 thread, I have a long dreamed of project in the works: A feature that will be partially shot on Super8 film. We are shooting all of the 8mm scenes first and will edit and then see where we are at. Never mind the fact that prices for stock have gone up by 50% or more in the last 18 months :angry: there is also the issue of not receiving responses from the labs or scanning facilities I have contacted. I don't want to be rude and mention which ones, but it seems like maybe some just don't care about 8mm at this point because I am receiving replies to my emails inquiries. That would not have happened 2 or 3 years ago. Some of these places are big names and well known here. Maybe I'm just too small-time for them to bother? We intend to shoot on Tri-X, Vision3 200T and a little bit of 50D. Anywhere from 15 to 24 rolls, depending upon how well (or poorly) we do. 24fps of course. Most MOS. There are two sequences with sync sound. The most likely camera used is a Nikon R10, though I am trying to find someone with a Leicina Special or the new Logmar in the NYC area. I am in the process of acquiring an R10 right now and would have to shoot one or two test rolls. 1080p would be the minimum for scanning for the project and frankly 2K might be smarter since I really want to retain that all important film grain. That is so important. I don't want it to turn to mush. We are shooting in the NYC area late September and hope to finish no later than October 5. I would need some immediate turnaround since I have to leave for China on October 18. Getting everything in place ahead of time is important, not just for me but I am sure for whatever lab and scanning house we use. That's the situation. We have an insanely limited budget and certain people involved are trying to get me to switch to shooting this stuff digitally, but it's imperative to me that these portions of the film be shot on film. I do not want to shoot this stuff with a digital camera. The rest of the feature will be digitally captured so dammit, this material which is designed for 8mm needs to be shot on 8mm. But if I can't get answers to my questions or find a place willing to work with me... I will be forced to go digital. :( I'm all ears. Thanks.
Pro8mm Beaulieu 4008ZM battery
Perry Paolantonio posted a topic in Super-8I've got one of the Beaulieu 4008 Pro8mm Max8 modified cameras, but I'm noticing that the battery life is pretty bad - It's supposed to last "50 rolls" but I'm barely getting through one. I think these are NiCads, which sucks, because of memory issues. I'm wondering if anyone has the schematics for these battery packs that I might look at, because I think I want to build my own. The way it's constructed, to take it apart is to basically ruin it (looks like it's basically a cluster of sub-c cells stuffed inside a big heat shrink tube. So there's no easy way to open it without destroying the case. Happy to do that if I need to, but I'd like to look at some pictures or a schematic first, if one is available. My thought is that I might just build my own using better, more modern batteries. Or if a standard belt exists that I could pick up cheaply, I'd go for that too. Thanks! -perry
PROTOTYPE SUPER 8 CAMERA FROM DENMARK
Richard Rivera posted a topic in Super-8I wish I could get this camera: http://www.logmar.dk/