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I'm selling this used Easyrig Cinema 3 with 5" extended arm (rated 17-24lbs). I've installed the new easyrig quick release to it, and it comes with the 3 extra ball studs as seen here - https://www.bhphotovideo.com/c/product/1410621-REG/easyrig_erig_ea033_q_quick_release_camera_hook.html I also had a new line installed when I installed the quick release, so functionally this unit is as new. Comes with a spare line, and the original Easyrig hook as well. I got this with the backpack style Easyrig bag instead, as I prefer carrying it that way personally, fits great. Asking $3000 USD or $4000CAD within North America + shipping. I am located in Vancouver, BC, but head to the U.S. often. I'd prefer to use transferwise if possible, but paypal works too potentially. Feel free to shoot me any questions, thanks!
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I watched the first episode, now the second. Looks good. Feels very modern, makes the previous ST's "outdated" :) (except J.J's Trek and after). It is entertaining for me, won't comment/hair-split on story, character, acting... Maybe it needs some time to fine tune, find its footing. Hell, even when i rewatched TNG form start i felt Picard was "wobbly". Your thoughts? PS: Before posting this i finished the second - it IS VERY promising. At the end of it is a trailer segment on what awaits in this season.
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I'm talking about the look of the sun synonomous with Terrence Malick films. It was all of The Tree of Life, showed up a few times in To the Wonder, and I'm pretty sure a similar technique was used in Mud. When the sun is in frame, it appears to have a circle of very defined lines portruding around it. How is this effect achieved? I know that Tree of Life shot using Ultra Primes, is this result achieved by stopping down the UPs? Or is this effect achieved using a filter? Let me know your thoughts! http://www.moviola.org/images/TreeofLife.png http://www.ropeofsilicon.com/american-society-of-cinematographers-award-the-tree-of-life-best-cinematography-of-2011/ (The effect can be seen in both these stills) Best, Drew