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Found 4 results

  1. Hello all, this is my first post upon joining these forums. So basically I'm a bit of a DIY tinkerer whose interests in video film have skyrocketed (after buying and selling a couple I've settle on a Beaulieu 4008 TM II Super 8 and a Krasnogorsk K3 Super 16mm. However, I've recognized a new format for Super 8 called Max 8 (basically widescreen variant of Super * which is normally 1.33 near square format) and the beaulieu is a great camera for this, despite some modification must be done. I am aware that the company Pro8mm does conversions like that, but looking at the price tag I think to myself "well what can they do that I can't?" And from what I've collected the whole process goes as such more or less: removal of the 85 filter system (which I have done myself), widening of the film gate, adding template marks to the viewfinder to mark the resolution, and to recenter the lens and viewfinder to the new window. My Krasnogorsk is almost a template of what to do give or take, with most of the modifications occurring with the widened gate and re centered lens ring and viewfinder. What do you guys think; any advice?
  2. As I mentioned in the Super8 thread, I have a long dreamed of project in the works: A feature that will be partially shot on Super8 film. We are shooting all of the 8mm scenes first and will edit and then see where we are at. Never mind the fact that prices for stock have gone up by 50% or more in the last 18 months :angry: there is also the issue of not receiving responses from the labs or scanning facilities I have contacted. I don't want to be rude and mention which ones, but it seems like maybe some just don't care about 8mm at this point because I am receiving replies to my emails inquiries. That would not have happened 2 or 3 years ago. Some of these places are big names and well known here. Maybe I'm just too small-time for them to bother? We intend to shoot on Tri-X, Vision3 200T and a little bit of 50D. Anywhere from 15 to 24 rolls, depending upon how well (or poorly) we do. 24fps of course. Most MOS. There are two sequences with sync sound. The most likely camera used is a Nikon R10, though I am trying to find someone with a Leicina Special or the new Logmar in the NYC area. I am in the process of acquiring an R10 right now and would have to shoot one or two test rolls. 1080p would be the minimum for scanning for the project and frankly 2K might be smarter since I really want to retain that all important film grain. That is so important. I don't want it to turn to mush. We are shooting in the NYC area late September and hope to finish no later than October 5. I would need some immediate turnaround since I have to leave for China on October 18. Getting everything in place ahead of time is important, not just for me but I am sure for whatever lab and scanning house we use. That's the situation. We have an insanely limited budget and certain people involved are trying to get me to switch to shooting this stuff digitally, but it's imperative to me that these portions of the film be shot on film. I do not want to shoot this stuff with a digital camera. The rest of the feature will be digitally captured so dammit, this material which is designed for 8mm needs to be shot on 8mm. But if I can't get answers to my questions or find a place willing to work with me... I will be forced to go digital. :( I'm all ears. Thanks.
  3. As some of you may know, we recently acquired a Lasergraphics ScanStation at Gamma Ray Digital. We're putting together some demo videos, and would like to include as many formats as the scanner can handle. We're all set with Regular 8, Super8 and 16mm, but if you have high quality (sharp, well lit, G-rated) footage in Super 16, Ultra 16 or Max 8, please send me a PM. We're looking for things like landscapes/cityscapes, architectural footage, nature footage, slow motion or timelapse. Basically, footage with relatively little camera motion so that we can easily put titles over it. In exchange for letting us use your footage on our website and YouTube/Vimeo channels (with credit, of course), we'll scan a couple rolls (50 footers for Max8 or 100 footers for Super/Ultra16) at no charge to 2k DPX, TIFF or ProRes files - your choice. As a thank-you, we'll also give you a deep discount rate on additional scanning. We can only offer this to the first couple of people who send us film in each format, so if you do have this kind of footage, please let me know so we can make arrangements. Here's an example of one of the videos we've already made: I hope this doesn't come across as spammy - we're really just looking for some footage to show off the machine and I'm too impatient to wait for the right material to come along! Thanks! -perry
  4. I'm considering adding Super-8 (MAX8) camera hire to my small format transfer company's services. The cameras would be purchased from Pro8. What I would like to know from cinematographers is what equipment they would require in a rental package. The other question is wether UK customers would require crystal sync at 24, or 25 FPS. Any thoughts and advice will be much appreciated. Grant Bennett
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