Jump to content

Search the Community

Showing results for tags 'Training'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

Found 9 results

  1. The 2019 International Colorist Academy Summit is happening in Hawaii this year! October 5-13, 4 different instructors and 11 different courses- there's something for everyone from beginner Resolve classes up to Looks and Matching Masterclasses! We have discount accommodation at the Sheraton Princess Kaiulani for anyone coming in from the mainland or out of the country. More information can be found here: https://www.stonesoupproductioncompany.com/hawaii-summit
  2. Hi, everybody. I'm currently working as a creative services producer, but I want to get into working on larger productions. I'm currently kind of between the levels of lighting cameraman and cinematographer. Can anyone give me advice on how to get some more experience on a larger set or more training with cinema cameras? I'm open to any advanced training programs, shadowing, or assistant jobs. I already know that I'll need to move to an area with more production, but any other advice on the subject is greatly appreciated. Thanks in advance.
  3. Hi everyone, I will start by saying that I have always had a passion about Filmmaking. I have always wanted to go to Film-school but due to lack of funds that dream may never become a reality. On the other hand I believe that anyone can learn Filmmaking but practicing, researching and trial and error. Nowadays anyone can pick up a camera and start shooting. The problem is that it is really hard to find people willing to sit down and teach (mentor) you on some aspects of Filmmaking that are hard to grasp on your own and will make the learning curve and time longer and harder. That's why I
  4. Hello. I am happy to say this my first of hopefully many more posts on this board. If I may introduce myself, my name is Mayer Chalom and I am a 19 yr old student who has currently finished a year of architecture at Pratt Institute. Since high school I have worked as an event photographer (and continue to do so) [my portfolio can be viewed at www.mayermaxphotography.com]. Currently I am employed as a photographer and draftsmen for a design firm in New York. To make a long story short, I have quickly realized that I do not enjoy the professional aspects of architecture (there is very
  5. The Freefly Movi M10 offers an alternative to the Steadicam with much faster set-up times, a smaller footprint to it get in places a Steadicam can’t, more movement flexibility like low to high-angle, gaining smoother shots much more easily. We offer ‘Dry Hire’ and fully ‘Crewed Up’ Freefly Movi Hire packages for 1, 2 and 3 person operation. We’re now offering Freefly Movi Training delivered by our Expert Movi Crew – giving you all the tips and tricks to get the most out of the Freefly Movi. For more information on hire or to book your place on our next Movi training course visit: www.movi-h
  6. Hi All, Hope you are well, i needed some advice and after loads of research on the internet someone recommended for me to come on here as i cant seem to find any solid answers. I am looking to set up a new photography and cinematography company in the next few months, and was hoping you guys can help me with the following: What cameras and lenses do i need to invest in? I will be sending out 3 videographers/cinematographers and 1 photographer to each event (mostly weddings). Also i would like to keep costs down but appreciate that i may need to pay that extra bit for quality.
  7. AN ESSENTIAL LEARNING AND CAREER EXPERIENCE FOR DIRECTORS, PRODUCERS, WRITERS, AND DEPARTMENT HEADS AT ALL LEVELS. In this Master Class, Quinn will deconstruct Leaving Las Vegas, scene-by- scene, while discussing his process, choices, obstacles, challenges - what worked and what didn't. 10:00 AM Screening: Leaving Las Vegas 12:00 PM Catered Lunch 1:00 PM Master Class 3:00 PM Day Ends Presented in Partnership with LOCAL 600 INTERNATIONAL CINEMATOGRAPHERS GUILD Sponsored by HARBOR PICTURE COMPANY registration: https://www.nymediacenter.com/cinematographer-masterclass/
  8. Hi all, I tried to browse the forums and search for an extensive cinematography curriculum which I could use as basis for patching any 'holes' in my knowledge of cinematography. Unfortunately I couldn't really find one and I was wondering if we could compile together such a thing? Its great that these days getting hold of a decent camera and shooting is a possibility for most people, but to get the best results, you need to know a bit more than just where the record button is located. There is a huge demand for cinematography courses and even though it would be utterly impossible t
  9. This is an old spot I did several months ago. Part of a 3-part ad series for a local fight-themed fitness gym. Very cool guys here. Always open to feedback, so FIRE AWAY! https://vimeo.com/56674499
×
×
  • Create New...