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Showing results for tags 'cfl'.
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A colleague of mine with a small production company is struggling with work, I'm doing him some favors lighting with my tungsten kit to help make his projects look better in hopes of grabbing in some clients with deeper pockets. Sometimes we need a bright pool of daylight because the cameras used aren't very sensitive (around 250 ASA) and/or shooting into windows. I was thinking of putting together an array of those giant 6500k 105w CFLs with 90+ CRI, though keeping their built in ballasts cool might be a concern if they're packed in closely. Renting isn't an option; HMIs, kinos, etc. are o -
Hey guys, I am shooting a short comedy film for class, and was hoping for some suggestions with my setup! Mind you, I am very new to all this. Since it is a comedy, I was planning on using a lot of soft light. I have a few softboxes, a few umbrella lights, and a few chinaballs. The setup I was planning on running, was two 1000 Lumen LED worklights for my background (with orange or blue gel depending on the scene) and a chinaball with orange or blue gel with a 105W CFL (600W equivalent) in front of my actor. If necessary, I would use a white reflector to fill the shadows on my ac
