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Showing results for tags 'preservation'.
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https://archive.org/details/storagepreservationmotionpicfilmteolijr.a.c.39
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What can be stored the longest. 😎
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Someone told me that the original Star Wars had faded red and all that is left are digital copies. Do you think that is true? I imagine the dye transfer films should be pretty good for color. But what about the films that were not Technicolor IB? In my archive I have Kodachrome 16mm going back to 1939 that looks pretty good. I had read the early Kodachrome version faded. I've found a few early 1938 samples of Kodachrome that faded somewhat and they verify Kodak changed the formulation.
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The Association of Moving Image Archivists (AMIA) has announced a robust program for its annual conference, which brings together over 600 experts to share perspectives on the latest methodologies and technologies being used in the acquisition, preservation, restoration, exhibition and use of audiovisual media. The event runs Nov. 30 to Dec. 2 at the InterContinental New Orleans, and is preceded by two days of workshops, including a Community Archiving Fair, a Hack Day, and a presentation of The Reel Thing, a technical symposium that explores recent restoration projects. A detailed schedule an
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The Association of Moving Image Archivists (AMIA) announces that Dennis Doros, co-owner of Milestone Films, has been elected president of the international association by AMIA members. Doros will be inducted into office at the annual AMIA Conference in New Orleans (Nov. 29 – Dec. 2), when he will begin a two-year term. He succeeds Andrea Kalas, who has led the organization forward for the past two years. AMIA members have also elected three new directors to the Board of Governors: Casey Davis Kaufman, senior project manager for the WGBH Media Library and Archives and project manager for th
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LOS ANGELES (August 15, 2016) - The 38th edition of The Reel Thing, a three-day symposium addressing audio/visual restoration and archiving, will explore the constantly evolving ecosystem of film and digital restoration and preservation. This year's program will examine legacy film restorations and showcase modern technologies being used to futureproof collections and keep them viable for future display and distribution formats. The event will take place August 18-20 at the Academy's Linwood Dunn Theater in Hollywood. In addition to discussions with industry leaders, premiere screenings of se
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