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Selection from: DDTJRAC Years ago, I was lucky to run across a wealthy collector in Europe of early erotic stereo cards. The early erotic cards are almost impossible to find and unaffordable to buy even if you do find them. He sold me a large part of his collection in the form of decent quality copy photos. He didn't want to sell me scans, but the copy photos were next to nothing. Really, I just had to pay for the cost of printing and shipping. I also acquired a huge amount of rare non-erotic card copy photos from him as well. Below are just a very few samples from the hundreds I had acquired from him. Vintage Stereo Photography – Vintage Stereo Photography from the Daniel D. Teoli Jr. Archival Collection / Walter Stein Archive (wordpress.com) I don't have time to get them all up right now, but I was able to put up a decent portion of them. I kinda lost interest in blogs after Tumblr deleted many years of my work, trashing 48 of my websites in 2019. Then the Internet Archive deleted my account of over a hundred thousand uploads. Later on, the I.A. restored my account...but it was just by happenstance that it was saved. The ******** in Frisco would do nothing for me. I'm not going to post the explicit porn cards. Go to the link if you are a lecher and have an interest in them. (BTW, a lecher is better than a pervert...so don't be ashamed!) But these explicit stereo porn cards are the rarest of the rare in stereo cards. And he had an unbelievable collection of them! Donna Mae 'Busty' Brown I found that people go crazy when you work in the old cameras into a scene. Something you may want to do with your cine' work. This guy had some stupendous cards. It is nice to be rich! If I was your run of the mill, anal bastard curator that runs an Archive, I would have missed out on this fantastic collection. I had contacted an Archive awhile back and offered to donate a copy of 'Splitting the Difference' which was the cover photo I used in my artist's book Iconoclastic Reporter. The snobby bastard there said they only collect original photos. Hell, I don't even have the original photo of 'Splitting the Difference'. But that didn't stop me from using what I could get. So, I acquired a copy photo from the original photo from a collector and used that. And it worked fine enough for other Archives to acquire it into their collections...but not that one. This all comes under the auspices of...something is better than nothing. But anal bastards don't see it that way. Let me give you another example of how your run of the mill, anal curator works. I had contacted a curator at an institution that was new to the job to inquire if they were interested in any donations. They said they are on a self-imposed acquisition moratorium of 18 months so they can study the collection before new acquisitions are made. GD...that is anal! I would start acquiring before my first day at work! But I'm an ADD curator and not an anal one. Now...if something is too low Q, then I may pass on it. I always tell you I have no prejudice in my collecting - except low-res garbage. And as I mentioned in another post, sometimes I won't sign my name to a project if it is crap and I don't want to be associated with it. But I try to stay away from that type of work unless it is absolutely necessary to a project. Every time you see the garbage it is an eyesore and an embarrassment, but you sometimes need it to round out the story. As was the case in this project. I included low-res garbage in the beginning to round out the story. And every time I see it, I cringe! Internet Archive Search: china doll teoli Getting back to the anal bastard curator that snubbed me...they wouldn't even let me look at their Archive...the NYC hi-brow shits. I run The Peoples' Archive. It is the highest quality, most diverse, open content Archive in the world. Now, it is not the richest or the biggest or the best Archive in the world. But it is the highest quality, most diverse, open content Archive of its type in the world. As an example. This rich Euro collector had a fantastic stereo collection that I could never hope to approach...but that is about it for him. Whereas I have hundreds of areas of collection. Virginia 'Ding Dong' Bell Beside copy photos and digital files, I've got a large number of physical stereo cards in the Archive as well as more modern stereo slides and glass mounts. Here is a sample glass mount from 'Erwin the Duck Hunter' series from Nebraska. If you ever become a curator...don't be an anal bastard curator...check your prejudices at the door and who knows what treasures you will find! <><><><> Selection from Shadows in Time DDTJRAC
Hey there ? my name is Janosch Simon i still love 3D and have my 3D rig nearly running ? the lenses i chose for the start were Olympus 14-42 EZ. i use them with 2 Blackmagic Micro Cinema Cameras side by side. Im fazinated by the idea of zooming while filming. That would be possible with the expansion port of the BMMCC but the quality of the lens and the lens mechanics is very bad ? then i saw that DZO makes some MFT cine zooms and now im looking or searching for a synchronoized focus and motor controler. Are you guys aware of any? i used google and searched here but perhabs i didnt use the right words ? thx and take care Janosch Simon
I'm trying to build a stereo camera capture rig by following this article https://www.instructables.com/id/How-to-make-a-camera-attachment-to-take-3D-Anaglyp/ In short this is the setup. Currently my problem is the beamsplitter, so I thought why not use 50% window tint film, I did some homework on it and they said it passed 50% of light that is projected on to it, I thought it is 50% transmissive and 50% reflective, however the seller sent me 20% window tint film which is quite dark than what I'm looking for. Also the reflective properties as not as good as I intended it to be, seems like window tint film is not the right choice as a beamsplitter alternative, or is it? Is there any other alternative for the beamsplitter, something that I can make with mirrors etc. that are not that hard to find.. Thanks in advance.
The London 3D Film Festival is a celebration of independent S3D film from across the globe, an opportunity for peers to meet, and a chance for the public to engage with the very best in Stereo 3D. L3DFF is run by a group of 3D professionals keen to promote the subtle artistry of what is the most significant development in cinema since the introduction of colour. For the 2014 Festival we will screen 3 programmes showcasing 50 shorts, premiere 2 independent 3D features, and 3 3D classics. We will also have a few surprises in store. The range and breadth of what we’ve seen has really impressed us, as it will you. Submissions open late August. Website: http://L3DFF.com Mailing List: http://bit.ly/L3DFFMailingList Twitter: https://twitter.com/L3DFF We hope to see you there!