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Found 3 results

  1. Hello fellow filmmakers! I have been editing in premier and color grading in davinci resolve. Ive actually enjoyed the process more than I thought I would but am curious how to achieve certain moods and tonws. I love the memory type of colors we get in call me by your name during the grass scene how might I achieve that? Overall the film has a very blue tone so how might you suggest I grade more romantic scenes, sad scenes, neutral scenes? Lastly, I have had trouble transferring slow motion from premier to resolve any advice? Thanks so much! Tyrone
  2. Hi all, I was recently introduced to the wide range of image profile (dynamic range) options on industry cameras. I understand that a low dynamic range gives you less tonal range and high gives you higher, but under what circumstances would you want a lower dynamic range versus higher? I was also told that you have to be an experienced colour grader to shoot high dynamic range, can anyone shed light on this? Thanks.
  3. Hi, I'm having a little research. Usually cinematographers or directors (ask) to use blue tone when lighting night scenes and moonlights effects. I believe it's a creative choice but some would make it their standard. Personally, I don't want to use blue in lighting night/moonlight scenes unless it is a creative decision. I'm discussing about this with some of my friends. I want a little help in finding out the background behind it. Where did the idea came from? Who and what film started it? Any links and information about this? Thanks.
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