Nikita K Carpenter Jr Posted December 24, 2008 Author Share Posted December 24, 2008 Sad day. That exit sign idea has potential though. Throw one of those bad boys up there and you'd be able to cheat a fill with a red gel, granted the exit sign you use is red. A green one could work too if it gives off the feeling of whatever scene you're shooting. Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted December 24, 2008 Premium Member Share Posted December 24, 2008 Red was certainly the idea ;) Or it can be cracked in 1/2 with a bare bulb exposed creating back light, and I'll bring in something small in front for fill, though still keep him under-exposed on the front side but with a nice little eye-light. Have to run it by the director and the producers of course, but that scene isn't till after the new year, so I'm going to hold off on going over it until after the Christmas and all. Link to comment Share on other sites More sharing options...
mariano monti Posted December 27, 2008 Share Posted December 27, 2008 hello, sometimes work in a low budget produccion, for interiors i use practical ligths whit dimmers, and make 3 white boxes in bouncing material ( stikos, polis, etc) , sometimes 6f x 3f sometimes 2f x 2f , and put inside a 500 k or 200k bulbs, depend if is a night or day situacion use difernt caint of bulbs ( photolites, regular white tungsteng, dayligths) or sometimes for the big boxes i use 3 1 k quartz, bouncing in the back of the box, all the time y use difutions on the front of the boxes, depend how difusse in need the source i use double difutiosn in diferents layers of the boxes, is good idea use dimmers , and you can play whit diferents gels for change the color. happy new year!!!!!!!!!!!! www.marianomonti.com Link to comment Share on other sites More sharing options...
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