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Pride and Prejudice


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Just from looking at the print, I'd say: Super-35, DI to achieve scope, some net diffusion, high speed film stock. There are some obvious digital exposure corrections when Collins arrives at the ball and goes from his carriage into the house -- the middle of the steadicam move is badly "gain-boosted". You can see a net pattern in some of the out-of-focus points of light and then the sun hits the lens, but I don't know if the whole movie was netted or just select scenes.

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