Roberflowers Posted January 31, 2006 Share Posted January 31, 2006 Hello everyone, I'm shooting a thesis film that requires a lot of night work. So, I know that I'm going to use a faster stock like the 18, but I had a conversation with the director and we looked at MY SO-CALLED LIFE, and that is what she would like her film to be like. Along those lines, I was thinking of going with a softer look in the picture, and I was reading up on fuji's 400T...I'm going to shoot a test of it tomorrow, but I am wondering about everyone's thoughts on this choice I am to make Should I go with the 400T for the nights and go with another stock for the days? I've heard some say that its too soft in day exteriors. OR should I stick with the 18 and use filtration to achieve a softer look, I am thinking something like a pro mist, or those classic softs that some of you have been talking about. I like the way the highlights look with those. what are everyone's opinions on the 400T fuji? Our school is a kodak school, so fuji info is a bit scarce. also, because it is night, what about rating the 18 320 and pushing it a stop...would that solve some grain isues? I know it would increase the contrast, and make the blacks richer, which I like, but with the filtration would I still have a soft look? would it look too crunchy? thanks for any insight that you all can give me. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted January 31, 2006 Premium Member Share Posted January 31, 2006 I hesitate to recommend messing with pushing, pulling, etc. for a look when you're not already familiar with the "normal" look of a stock, because then you'll never learn what the stock basically gives you. But when in doubt test, test, test. Yes, Fuji F-400T is softer, more pastel, less contrasty. The Kodak equivalent is Expression 500T (72/5229). Using a softer stock and sharper lenses versus a harder stock and diffusion is just two different looks -- you have to pick one. Link to comment Share on other sites More sharing options...
Joseph White Posted February 1, 2006 Share Posted February 1, 2006 yeah i agree with David - they are all perfectly viable options, it just depends on what overall look you're going for. and contrasty versus non-contrasty stock is only a start in terms of the look - you can give a scene a softer look with lighting alone, you don't necessarily need a different stock to achieve it. if you want less contrast, put more light in your shadow areas and your facial-fill. i've had great experiences with the vision2 5229 stock with night work - very nice skin tones, a generally softer look - a huge improvement over it's predecessor 5284. pushing it a stop will definitely add grain, but if you overexpose slightly - maybe rate at 800 asa - and are really really careful with your exposures and use nice sharp lenses like primos or ultra primes you probably won't even notice it that much (again grain is a very relative thing). and yes - if you can test - do it by all means. i'd be happy to show you some night stuff i've done with 5229 pushed a stop if you like, just drop me a note. Link to comment Share on other sites More sharing options...
Matt Frank Posted February 1, 2006 Share Posted February 1, 2006 Wouldn't rating it at 800 under expose a asa 500 stock? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted February 1, 2006 Premium Member Share Posted February 1, 2006 Wouldn't rating it at 800 under expose a asa 500 stock? He means combined with a one-stop push so you end up with a slightly denser negative than if you rated 500T at 1000 ASA for the one-stop push. Link to comment Share on other sites More sharing options...
Matt Frank Posted February 1, 2006 Share Posted February 1, 2006 He means combined with a one-stop push so you end up with a slightly denser negative than if you rated 500T at 1000 ASA for the one-stop push. Ahh I understand. Thanks for the help. Link to comment Share on other sites More sharing options...
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