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Open Range


Phil Rhodes

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Hi,

 

Haven't seen it myself but just received an absolutely sparkling report on the cinematography of this film from a fellow projectionist. All I can find out from IMDB is that it was super-35 and DI, which should limit its potential sharpness, but apparently it was great.

 

Shot by Jim Muro, latterly steadicam operator on many things, and one of those terrifying people whose IMDB entry forces you to scroll down to get to the bottom.

 

Phil

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I liked both the film and the cinematography. It has some great scope compositions and camera moves making full use of the 2.39:1 frame.

 

Some scenes were a little grainy and the overall image was a bit soft, but it's a very good looking film.

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