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Super 8 vs regular 16mm


Gary Lemson

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Hello,

 

I realize this may be somewhat subjective, but can you folks explain the resolution differences between Super 8 and 16mm running at their respective standard frame rates?

 

Thanks.

 

You could fit roughly 4 super 8 frames in one 16mm frame. Therefore (all things being equal) 16mm has roughly 4 times the resolution. Frame rates don't have anything to do with resolution. Although, there are many factors that can affect the appearance of resolution.

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You could fit roughly 4 super 8 frames in one 16mm frame. Therefore 16mm has roughly 4 times the resolution. Frame rates don't have anything to do with resolution. Although, there are many factors that can affect the appearance of resolution.

 

Okay. I'm trying to understand the visual or asthetic differences (Maybe this isn't easily quantified).

 

Basically, I'm trying to decide whether to go Super 8 or 16mm, or both?? There's a lot of really cool S8 hardware out there. I've been producing television documentaries, and would like to work film into my future projects.

 

Thanks again.

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I once worked some of this out - see this thread

 

've been doing a bit of maths lately on frame sizes - based mainly on the figures here

http://www.jtkdev.com/projection.html

this is what I found:

 

8mm frame size

width: 4.87 mm

height: 3.68 mm

total: 17.92mm sq

 

 

Super 8 frame size

width: 5.68 mm

height: 4.23 mm

total: 24.02 mm sq

 

 

Super-dooper 8 frame size

width: 6.41 mm

height: 4.23 mm

total: 27.11 mm sq

(based on extra 13% width - quoted here )

 

 

16mm cropped to 16:9 frame size

width: 10.26 mm

height: 5.77 mm

total: 59.20 mm sq

 

 

Ultra 16mm frame size

width: 11.8 mm

height: 6.23mm

total: 73.5 mm sq

(based on this comparison of 16mm formats )

 

 

16mm frame size

width: 10.26 mm

height: 7.49 mm

total: 76.84 mm sq

 

 

Super 16 frame size

width: 12.39 mm

height: 7.49 mm

total: 92.80 mm sq

 

there seems to be some conflicting figures on frame sizes from various sources on the net - so any comments/corrections appreciated - and if there are any mathematical errors - but anyway what does all this mean?

 

Well for me in no budget land (which is why I started looking at this) I think the cropped 16mm is the best option as it gives you a decent frame size but in a really easy way to get it.

 

* the cameras are cheaper to buy than Super 16

* no modifications necessary (as in super-dooper 8, or ultra 16 )

* no centreing issues (as in super-dooper 8, or ultra 16 )

* no anamorphic lenses necessary

* steady registration - no Super 8 carts!

* great selection of film stocks

* little or no grain (the sessions I've seen of this in a telecine suite with some of my footage showed no grain using V2 250D)

* the option of a regular print if necessary (though the framing might look funny!)

 

so anyway there you go - food for thought

 

 

Scot

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Hello,

 

I realize this may be somewhat subjective, but can you folks explain the resolution differences between Super 8 and 16mm running at their respective standard frame rates?

 

Thanks.

 

 

Watch something shot in Super 8 then, all things being equal, watch something (ideally the same subject matter) shot in 16. You should then be able to qualify; which may, arguably, be more important then "quantifying" (whatever that means).

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For film formats, "Size DOES Matter". The film is the same, but four times the image area has four times the information, and requires four times less area magnification (less graininess). It's simple math.

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