Premium Member Adam Frisch FSF Posted July 28, 2004 Premium Member Share Posted July 28, 2004 Very interesting flares comparison between the Primo and C-series anamorphic lenses on gaffer-cum-DP Claudio Miranda's site (that guy is goooood). The first one is the 75mm. 75mm Here's the 50mm comparison. 50mm What however is almost frightening to see is just HOW much the 75mm bends vertical lines on the sides. That's some serious barreling, and frankly, not very impressive for such a reasonably "normal" focal lenght lens. Is it just my eyes, or doesn't the Primo bend a lot more than the older C-series? You decide. Link to comment Share on other sites More sharing options...
Premium Member Michael Nash Posted July 28, 2004 Premium Member Share Posted July 28, 2004 An interesting comparison. But it also looks like the tests were recorded from the video tap output, not the film. Taps always exaggerate highlights and flares differently than the way the film sees it. But the comparison between the lens types is still valid. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted July 29, 2004 Premium Member Share Posted July 29, 2004 The bending seems the same to me. There is a little more halation right around the light source with the C-Series, unless that's the video tap. The flaring seems softer, more spread like a glow around the light. The center of the flare in the Primo seems more defined as rays as opposed to a glow. The Primo's horizontal flare line is slightly less strong than the C-Series in the 75mm comparison but clearly less strong in the 50mm comparison. With the C-Series, the horizontal line is stronger and spreads farther. It may be warmer in color too. I'm surprised to see how much less flare there is in the 50mm compared to the 75mm in the Primo's. Link to comment Share on other sites More sharing options...
Premium Member Wendell_Greene Posted July 29, 2004 Premium Member Share Posted July 29, 2004 I agree with Adam, Claudio is an amazing DP. I've found quite a bit of inspiration from his work as a gaffer on several feature films as well. If I'm not mistaken, those tests helped formed the basis for the Alpine "Mute" commercial he shot for the [Directors] Brother Strausse earlier this year, which you can view in it's entirety on his website. BTW If anyone is interested you can read an article I wrote about Miranda's Clio award winning work with David Fincher: http://mvwire.com/dynamic/article_view.asp?AID=10727 Link to comment Share on other sites More sharing options...
Alvin Pingol Posted August 1, 2004 Share Posted August 1, 2004 When I hear C-Series lenses, I always think of blue anamorphic horizontal flares? These tests clearly show the flares being the same color as the source. Am I missing something here? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted August 1, 2004 Premium Member Share Posted August 1, 2004 Perhaps if the image was off of a video tap recording, the blue color of the flare did not get picked up. Link to comment Share on other sites More sharing options...
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