Jump to content

DI vs old-school


Johnny Roc

Recommended Posts

indie feature. shooting format = 35mm. Buy backs, no short ends. 4 perf. ( 2perf needs DI. ). 1.85

64000 ft of Kodak Vision 500T 5218 and 250D 5205.

end goal = film print

 

then:

Staying in Film is

- cheaper

- better quality print

 

There are no effect shots.

Any real disadvantages I'm not seeing?

 

For DVDs/internet promos we'd do a standard def telecine onto a Digibeta and the editor would do basic coloring in Final Cut. Main objective is to get that gorgeous 35mm print.

 

Sorry if this is an old topic.

thank you!

Link to comment
Share on other sites

  • Premium Member

The major studios by now have DI in their pattern budgets. But for a low budget show, if you don't need effects or the more versatile color correction environment, very likely the money is better spent elsewhere in the budget.

 

Lo-Con prints are a strange old thing. The reason for them was that before we had telecine, the only way to get film onto TV was through a "film chain", basically a projector and ordinary TV camera bolted together. Film chains didn't let you do the color correction it takes to go from negative or IP, and projection contrast prints were too contrasty, so Kodak made a special stock just for this. We had an MOW about 20 years ago that did a Lo-Con, that's the only one I've ever seen in person.

 

For this low budget feature, telecine from an IP if you make one in time, otherwise, you need a facility that can handle telecine from the cut negative. Ask about that, because some machines have focus problems at the splices.

 

 

 

-- J.S.

Link to comment
Share on other sites

does this look right? If we just need 1 print with the ability to make more later, and a possibility of mastering on a HDcam later, do you see any unnecessary steps in here? Is something missing? Do the rates look ok?

 

( 64,000 ft. processing $0.095 per ft, telecine to DVcam $175/hr for 43 hrs. )

_____________________________________________________________________________

 

 

35mm color answer print, a-roll, liguidgate $0.91 qty: 9270 ft $8435

DLC dynamic light changes ( do i really need this? ) $500 flat

35mm digital optical soundtrack negative $0.54 9270 ft $5005

sync optical soundrack negatives to picture negative $38 6 reels $228

35mm color IP, a-roll, liquidgate $0.945 9270 ft $8760

35mm color internegative $0.89 9270 ft $8250

35mm color check print $0.22 9270 ft $2039

Sub Total: $33,219

______________________________________________________________________________

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...