Shubham Kasera Posted February 4, 2009 Share Posted February 4, 2009 hello i am about to shoot my final year diploma project i have a few scenes in which both i am shooting from indoors and exteriors are also visible in daylight. I am wondering which stock should i go for and what should i rate it at? im shooting both in 35mm and 16mm thanks Link to comment Share on other sites More sharing options...
inder mann Posted February 19, 2009 Share Posted February 19, 2009 helloi am about to shoot my final year diploma project i have a few scenes in which both i am shooting from indoors and exteriors are also visible in daylight. I am wondering which stock should i go for and what should i rate it at? im shooting both in 35mm and 16mm thanks if it was me, i would shoot the 5205/7205. as for rating, it really depends on the look you are trying to go for. personally, i like overexposing negative film 1/3-1stop. if you have access to lights, then you can easily color correct your tungsten lamps with CTB, and obviously HMI's are already daylight balanced. if for some reason you cant get daylight stocks and you can only get tungsten, just gel your windows with CTO hope that helps Link to comment Share on other sites More sharing options...
Shubham Kasera Posted February 19, 2009 Author Share Posted February 19, 2009 if it was me, i would shoot the 5205/7205. as for rating, it really depends on the look you are trying to go for. personally, i like overexposing negative film 1/3-1stop. if you have access to lights, then you can easily color correct your tungsten lamps with CTB, and obviously HMI's are already daylight balanced. if for some reason you cant get daylight stocks and you can only get tungsten, just gel your windows with CTO hope that helps thnks i did order a few cans of 5205 and the remaining as 5279 (as i am looking for grains) cheers shubham Link to comment Share on other sites More sharing options...
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